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Discover artworks from the Harvard Art Museums collection

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Yamatoya, from the series Yakusha butai no sugata-e
Prints
Yamatoya, from the series Yakusha butai no sugata-e
Utagawa Toyokuni 歌川豊国, 18th-19th century

Left panel from an ukiyo-e woodblock-printed "ōban" triptych(?); ink and color on paper with printed signature reading "Toyokuni ga"

18th-19th centuryJapanese
Men and Women Walking in Shrine Precinct
Prints
Men and Women Walking in Shrine Precinct
Utagawa Toyokuni 歌川豊国

Right panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

Japanese
Triptych: Men and Women Walking in Shrine Precinct
Prints
Triptych: Men and Women Walking in Shrine Precinct
Utagawa Toyokuni 歌川豊国

Ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

Japanese
Men and Women Walking in Shrine Precinct
Prints
Men and Women Walking in Shrine Precinct
Utagawa Toyokuni 歌川豊国

Center panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

Japanese
Men and Women Walking in Shrine Precinct
Prints
Men and Women Walking in Shrine Precinct
Utagawa Toyokuni 歌川豊国

Left panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

Japanese
Geisha as the Seven Gods of Good Fortune (Shichifukujin)
Prints
Geisha as the Seven Gods of Good Fortune (Shichifukujin)
Utagawa Toyokuni 歌川豊国, 18th-19th century

Right panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper with printed signature reading "Toyokuni ga"

18th-19th centuryJapanese
Triptych: Geisha as the Seven Gods of Good Fortune (Shichifukujin)
Prints
Triptych: Geisha as the Seven Gods of Good Fortune (Shichifukujin)
Utagawa Toyokuni 歌川豊国, 18th-19th century

Ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper with printed signature reading "Toyokuni ga"

18th-19th centuryJapanese
Geisha as the Seven Gods of Good Fortune (Shichifukujin)
Prints
Geisha as the Seven Gods of Good Fortune (Shichifukujin)
Utagawa Toyokuni 歌川豊国, 18th-19th century

Center panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper with printed signature reading "Toyokuni ga"

18th-19th centuryJapanese
Geisha as the Seven Gods of Good Fortune (Shichifukujin)
Prints
Geisha as the Seven Gods of Good Fortune (Shichifukujin)
Utagawa Toyokuni 歌川豊国, 18th-19th century

Left panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper with printed signature reading "Toyokuni ga"

18th-19th centuryJapanese
New Year Festivities at the House of Spring Colors (Shunshoku-ya kata no kotobuki)
Prints
New Year Festivities at the House of Spring Colors (Shunshoku-ya kata no kotobuki)
Utagawa Kunisada 歌川国貞, circa 1847–1852 (Kōka 4 – An'ei 5)

Woodblock print (nishiki-e) right sheet of triptych; ink and color on paper

19th centuryJapanese
New Year Festivities at the House of Spring Colors (Shunshoku-ya kata no kotobuki)
Prints
New Year Festivities at the House of Spring Colors (Shunshoku-ya kata no kotobuki)
Utagawa Kunisada 歌川国貞, circa 1847–1852 (Kōka 4 – An'ei 5)

Woodblock print (nishiki-e) triptych; ink and color on paper

19th centuryJapanese
New Year Festivities at the House of Spring Colors (Shunshoku-ya kata no kotobuki)
Prints
New Year Festivities at the House of Spring Colors (Shunshoku-ya kata no kotobuki)
Utagawa Kunisada 歌川国貞, circa 1847–1852 (Kōka 4 – An'ei 5)

Woodblock print (nishiki-e) center sheet of triptych; ink and color on paper

19th centuryJapanese
New Year Festivities at the House of Spring Colors (Shunshoku-ya kata no kotobuki)
Prints
New Year Festivities at the House of Spring Colors (Shunshoku-ya kata no kotobuki)
Utagawa Kunisada 歌川国貞, circa 1847–1852 (Kōka 4 – An'ei 5)

Woodblock print (nishiki-e) left sheet of triptych; ink and color on paper

19th centuryJapanese
Actors in a scene from the play The Story of Cherry Blossoms on Higashiyama (Higashiyama sakura zōshi): Bandō Hikosaburō IV as Ashikaga Yoshimasa kō, Azuma Ichinojō I as Kashitsuki Sugibae (right sheet)
Prints
Actors in a scene from the play The Story of Cherry Blossoms on Higashiyama (Higashiyama sakura zōshi): Bandō Hikosaburō IV as Ashikaga Yoshimasa kō, Azuma Ichinojō I as Kashitsuki Sugibae (right sheet)
Utagawa Kunisada 歌川国貞, 1851, 8th month

Woodblock print; ink and color on paper

Japanese
Actors in a scene from the play The Story of Cherry Blossoms on Higashiyama (Higashiyama sakura zōshi): Bandō Hikosaburō IV as Ashikaga Yoshimasa kō, Azuma Ichinojō I as Kashitsuki Sugibae (right sheet), Onoe Kikujirō II as Besshitsu Fuji no kata (center sheet), unidentified actor as Koshimoto Kodemari, and Iwai Kumesaburō III as Ashikaga Jirō no kimi (left sheet)
Prints
Actors in a scene from the play The Story of Cherry Blossoms on Higashiyama (Higashiyama sakura zōshi): Bandō Hikosaburō IV as Ashikaga Yoshimasa kō, Azuma Ichinojō I as Kashitsuki Sugibae (right sheet), Onoe Kikujirō II as Besshitsu Fuji no kata (center sheet), unidentified actor as Koshimoto Kodemari, and Iwai Kumesaburō III as Ashikaga Jirō no kimi (left sheet)
Utagawa Kunisada 歌川国貞, 1851, 8th month

Woodblock-printed triptych; ink and color on paper

Japanese
Actors in a scene from the play The Story of Cherry Blossoms on Higashiyama (Higashiyama sakura zōshi): Onoe Kikujirō II as Besshitsu Fuji no kata (center sheet)
Prints
Actors in a scene from the play The Story of Cherry Blossoms on Higashiyama (Higashiyama sakura zōshi): Onoe Kikujirō II as Besshitsu Fuji no kata (center sheet)
Utagawa Kunisada 歌川国貞, 1851, 8th month

Woodblock print; ink and color on paper

Japanese
The Interior of a Kabuki Theater
Prints
The Interior of a Kabuki Theater
Utagawa Toyokuni 歌川豊国, c. 1799

Woodblock print (nishiki-e); ink and color on paper

Japanese
The Interior of a Kabuki Theater
Prints
The Interior of a Kabuki Theater
Utagawa Toyokuni 歌川豊国, c. 1799

Woodblock print (nishiki-e) triptych; ink and color on paper

Japanese
The Interior of a Kabuki Theater
Prints
The Interior of a Kabuki Theater
Utagawa Toyokuni 歌川豊国, c. 1799

Woodblock print (nishiki-e); ink and color on paper

Japanese
The Interior of a Kabuki Theater
Prints
The Interior of a Kabuki Theater
Utagawa Toyokuni 歌川豊国, c. 1799

Woodblock print (nishiki-e); ink and color on paper

Japanese
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