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The Eastern Cottage (Azumaya), Illustration to Chapter 50 of the Tale of Genji (Genji monogatari)
Paintings
The Eastern Cottage (Azumaya), Illustration to Chapter 50 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The fiftieth of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
A Drifting Boat (Ukifune), Illustration to Chapter 51 of the Tale of Genji (Genji monogatari)
Paintings
A Drifting Boat (Ukifune), Illustration to Chapter 51 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The fifty-first of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
The Mayfly (Kagerō), Illustration to Chapter 52 of the Tale of Genji (Genji monogatari)
Paintings
The Mayfly (Kagerō), Illustration to Chapter 52 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, 16th century

(A REPLACEMENT:) The fifty-second of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
Writing Practice (Tenarai), Illustration to Chapter 53 of the Tale of Genji (Genji monogatari)
Paintings
Writing Practice (Tenarai), Illustration to Chapter 53 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The fifty-third of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
The Floating Bridge of Dreams (Yume no Ukihashi), Illustration to Chapter 54 of the Tale of Genji (Genji monogatari)
Paintings
The Floating Bridge of Dreams (Yume no Ukihashi), Illustration to Chapter 54 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The fifty-fourth of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
Landscape with Murasaki Shikibu writing at Ishiyamadera (Frontispiece to an album containing 54 illustrations and calligraphic excerpts from the Tale of Genji)
Paintings
Landscape with Murasaki Shikibu writing at Ishiyamadera (Frontispiece to an album containing 54 illustrations and calligraphic excerpts from the Tale of Genji)
Tosa Mitsuoki 土佐光起, Early Edo period, circa late 17th century

Frontispiece to an album of 54 (earlier) album leaves illustrating "The Tale of Genji"; ink, color, and gold on silk

17th centuryJapanese
Landscape around Ishiyamadera and Lake Biwa (Finispiece to an album containing 54 illustrations and calligraphic excerpts from the Tale of Genji)
Paintings
Landscape around Ishiyamadera and Lake Biwa (Finispiece to an album containing 54 illustrations and calligraphic excerpts from the Tale of Genji)
Tosa Mitsuoki 土佐光起, Early Edo period, circa late 17th century

Finispiece to an album of 54 (earlier) album leaves illustrating "The Tale of Genji"; ink, color, and gold on silk

17th centuryJapanese
Seated Bodhisattva Vajrapuspâ (Kongōke Bosatsu), from a notebook depicting the Diamond World Mandala (Kongōkai Mandara), from a book once housed at Mount Kōya (Wakayama prefecture) and then later in the temple Ganjō-ji (Kumamoto prefecture)
Paintings
Seated Bodhisattva Vajrapuspâ (Kongōke Bosatsu), from a notebook depicting the Diamond World Mandala (Kongōkai Mandara), from a book once housed at Mount Kōya (Wakayama prefecture) and then later in the temple Ganjō-ji (Kumamoto prefecture)
Takuma Tametō, Late Heian period, mid 12th century

Page from a book now mounted as an album leaf; ink and colors on paper

12th centuryJapanese
Frontispiece to the Sixth Division of the Lotus Sutra (Hokke-kyō)
Paintings
Frontispiece to the Sixth Division of the Lotus Sutra (Hokke-kyō)
Unknown Artist, Late Heian period, circa 1050-1100

Handscroll fragment mounted as an album leaf; gold and silver inks on indigo-dyed paper

11th centuryJapanese
Five Monks (and unrelated calligraphic section) from the Legendary History of the Jin'o-ji (Kōnin Shōnin eden)
Paintings
Five Monks (and unrelated calligraphic section) from the Legendary History of the Jin'o-ji (Kōnin Shōnin eden)
Unknown Artist, c. 1350-1400

Handscroll fragments (from different sections of the story) mounted together as a hanging scroll; ink, color and gold on paper

14th centuryJapanese
Life of Prince Shōtoku (Shōtoku Taishi eden) Fragment
Paintings
Life of Prince Shōtoku (Shōtoku Taishi eden) Fragment
Unknown Artist, 12th-14th century

Handscroll fragment mounted as a hanging scroll; ink and color on paper

12th-14th centuryJapanese
Monk Nichizō Begins His Tour of the Afterlife, from the Kitano Tenjin engi emaki
Paintings
Monk Nichizō Begins His Tour of the Afterlife, from the Kitano Tenjin engi emaki
Unknown Artist, Nambokuchō period, circa 1350-1400

Handscroll fragment mounted as a hanging scroll; ink, color and gold on paper

14th centuryJapanese
The Poets Fujiwara no Shigeie and Taira no Sadabumi, from Competition of Poems from Different Periods (Jidai fudō uta-awase)
Paintings
The Poets Fujiwara no Shigeie and Taira no Sadabumi, from Competition of Poems from Different Periods (Jidai fudō uta-awase)
Fujiwara Tameie, circa 1250

Handscroll fragment mounted as a hanging scroll; ink on paper

13th centuryJapanese
Poet Ariwara no Motokata (d. 953), from an illustrated Competition of Poems from Different Periods (Jidai fudō uta-awase)
Paintings
Poet Ariwara no Motokata (d. 953), from an illustrated Competition of Poems from Different Periods (Jidai fudō uta-awase)
Fujiwara Tameie, Kamakura period, circa 1300-1325

Handscroll fragment mounted as a hanging scroll; ink on paper

12th-14th centuryJapanese
Illustration from the Tale of Sumiyoshi (Sumiyoshi monogatari)
Paintings
Illustration from the Tale of Sumiyoshi (Sumiyoshi monogatari)
Unknown Artist, mid 15th century

Handscroll fragment mounted as a hanging scroll; ink on paper

15th centuryJapanese
Pictorial Scroll of the Tale of Sumiyoshi (Sumiyoshi monogatari emaki)
Paintings
Pictorial Scroll of the Tale of Sumiyoshi (Sumiyoshi monogatari emaki)
Unknown Artist, Muromachi period, 16th century

Handscroll; ink and color on paper

16th centuryJapanese
Tales of Ise (Ise monogatari) Scroll Composed of Fragments
Paintings
Tales of Ise (Ise monogatari) Scroll Composed of Fragments
Unknown Artist, 16th century

Eight handscroll fragments mounted together as a handscroll; ink and color on paper

16th centuryJapanese
Illustrated travel accounts of Kōbō Daishi (Kōya Daishi gyōjō zue), Vol. 2 only
Paintings
Illustrated travel accounts of Kōbō Daishi (Kōya Daishi gyōjō zue), Vol. 2 only
Unknown Artist, Muromachi period, 16th century

Handscroll; ink, color and gold on paper

16th centuryJapanese
Fragment of a handscroll, probably a portion of the "Tale of a Clam" (Hamaguri-zōshi) or the "Tale of Sumiyoshi" (Sumiyoshi monogatari)?
Paintings
Fragment of a handscroll, probably a portion of the "Tale of a Clam" (Hamaguri-zōshi) or the "Tale of Sumiyoshi" (Sumiyoshi monogatari)?
Unknown Artist, Muromachi period, early-mid 16th century

Handscroll fragment mounted on brocaded cardboard; ink and color on paper

16th centuryJapanese
Story of Tameyo (Tameyo zōshi) in Two Volumes
Paintings
Story of Tameyo (Tameyo zōshi) in Two Volumes
Unknown Artist, Muromachi period, 16th century

Book now mounted as two handscrolls; ink, color and gold on paper

16th centuryJapanese
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