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Thoroughwort Flowers (Fujibakama), Illustration to Chapter 30 of the Tale of Genji (Genji monogatari)
Paintings
Thoroughwort Flowers (Fujibakama), Illustration to Chapter 30 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The thirtieth of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
The Handsome Pillar (Makibashira), Illustration to Chapter 31 of the Tale of Genji (Genji monogatari)
Paintings
The Handsome Pillar (Makibashira), Illustration to Chapter 31 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The thirty-first of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
The Plum Tree Branch (Umegae), Illustration to Chapter 32 of the Tale of Genji (Genji monogatari)
Paintings
The Plum Tree Branch (Umegae), Illustration to Chapter 32 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The thirty-second of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
New Wisteria Leaves (Fuji no Uraba), Illustration to Chapter 33 of the Tale of Genji (Genji monogatari)
Paintings
New Wisteria Leaves (Fuji no Uraba), Illustration to Chapter 33 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The thirty-third of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
Spring Shoots I (Wakana: jō), Illustration to Chapter 34 of the Tale of Genji (Genji monogatari)
Paintings
Spring Shoots I (Wakana: jō), Illustration to Chapter 34 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The thirty-fourth of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
Spring Shoots II (Wakana: ge), Illustration to Chapter 35 of the Tale of Genji (Genji monogatari)
Paintings
Spring Shoots II (Wakana: ge), Illustration to Chapter 35 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The thirty-fifth of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
The Oak Tree (Kashiwagi), Illustration to Chapter 36 of the Tale of Genji (Genji monogatari)
Paintings
The Oak Tree (Kashiwagi), Illustration to Chapter 36 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The thirty-sixth of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
The Flute (Yokobue), Illustration to Chapter 37 of the Tale of Genji (Genji monogatari)
Paintings
The Flute (Yokobue), Illustration to Chapter 37 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The thirty-seventh of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
The Bell Cricket (Suzumushi), Illustration to Chapter 38 of the Tale of Genji (Genji monogatari)
Paintings
The Bell Cricket (Suzumushi), Illustration to Chapter 38 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The thirty-eighth of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
Evening Mist (Yūgiri), Illustration to Chapter 39 of the Tale of Genji (Genji monogatari)
Paintings
Evening Mist (Yūgiri), Illustration to Chapter 39 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The thirty-ninth of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
The Law (Minori), Illustration to Chapter 40 of the Tale of Genji (Genji monogatari)
Paintings
The Law (Minori), Illustration to Chapter 40 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The fortieth of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
The Seer (Maboroshi), Illustration to Chapter 41 of the Tale of Genji (Genji monogatari)
Paintings
The Seer (Maboroshi), Illustration to Chapter 41 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The forty-first of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
The Perfumed Prince (Niou Miya), Illustration to Chapter 42 of the Tale of Genji (Genji monogatari)
Paintings
The Perfumed Prince (Niou Miya), Illustration to Chapter 42 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The forty-second of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
Red Plum Blossoms (Kōbai), Illustration to Chapter 43 of the Tale of Genji (Genji monogatari)
Paintings
Red Plum Blossoms (Kōbai), Illustration to Chapter 43 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The forty-third of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
Bamboo River (Takekawa), Illustration to Chapter 44 of the Tale of Genji (Genji monogatari)
Paintings
Bamboo River (Takekawa), Illustration to Chapter 44 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The forty-fourth of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
The Maiden of the Bridge (Hashihime), Illustration to Chapter 45 of the Tale of Genji (Genji monogatari)
Paintings
The Maiden of the Bridge (Hashihime), Illustration to Chapter 45 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The forty-fifth of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
Beneath the Oak (Shiigamoto), Illustration to Chapter 46 of the Tale of Genji (Genji monogatari)
Paintings
Beneath the Oak (Shiigamoto), Illustration to Chapter 46 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The forty-sixth of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
Trefoil Knots (Agemaki), Illustration to Chapter 47 of the Tale of Genji (Genji monogatari)
Paintings
Trefoil Knots (Agemaki), Illustration to Chapter 47 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The forty-seventh of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
Bracken Shoots (Sawarabi), Illustration to Chapter 48 of the Tale of Genji (Genji monogatari)
Paintings
Bracken Shoots (Sawarabi), Illustration to Chapter 48 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The forty-eighth of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
The Ivy (Yadorigi), Illustration to Chapter 49 of the Tale of Genji (Genji monogatari)
Paintings
The Ivy (Yadorigi), Illustration to Chapter 49 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The forty-ninth of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
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