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Heart-to-Heart (Aoi), Illustration to Chapter 9 of the Tale of Genji (Genji monogatari)
Paintings
Heart-to-Heart (Aoi), Illustration to Chapter 9 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The ninth of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
The Green Branch (Sakaki), Illustration to Chapter 10 of the Tale of Genji (Genji monogatari)
Paintings
The Green Branch (Sakaki), Illustration to Chapter 10 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The tenth of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
Falling Flowers (Hanachirusato), Illustration to Chapter 11 of the Tale of Genji (Genji monogatari)
Paintings
Falling Flowers (Hanachirusato), Illustration to Chapter 11 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The eleventh of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
Suma, Illustration to Chapter 12 of the Tale of Genji (Genji monogatari)
Paintings
Suma, Illustration to Chapter 12 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The twelfth of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
Akashi, Illustration to Chapter 13 of the Tale of Genji (Genji monogatari)
Paintings
Akashi, Illustration to Chapter 13 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The thirteenth of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
The Pilgrimage to Sumiyoshi (Miotsukushi), Illustration to Chapter 14 of the Tale of Genji (Genji monogatari)
Paintings
The Pilgrimage to Sumiyoshi (Miotsukushi), Illustration to Chapter 14 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The fourteenth of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
A Waste of Weeds (Yomogiu), Illustration to Chapter 15 of the Tale of Genji (Genji monogatari)
Paintings
A Waste of Weeds (Yomogiu), Illustration to Chapter 15 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The fifteenth of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
At the Pass (Sekiya), Illustration to Chapter 16 of the Tale of Genji (Genji monogatari)
Paintings
At the Pass (Sekiya), Illustration to Chapter 16 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The sixteenth of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
Wind in the Pines (Matsukaze), Illustration to Chapter 18 of the Tale of Genji (Genji monogatari)
Paintings
Wind in the Pines (Matsukaze), Illustration to Chapter 18 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The eighteenth of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
Wisps of Cloud (Usugumo), Illustration to Chapter 19 of the Tale of Genji (Genji monogatari)
Paintings
Wisps of Cloud (Usugumo), Illustration to Chapter 19 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The nineteenth of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
The Bluebell (Asagao), Illustration to Chapter 20 of the Tale of Genji (Genji monogatari)
Paintings
The Bluebell (Asagao), Illustration to Chapter 20 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The twentieth of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
The Maidens (Otome), Illustration to Chapter 21 of the Tale of Genji (Genji monogatari)
Paintings
The Maidens (Otome), Illustration to Chapter 21 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The twenty-first of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
The Tendril Wreath (Tamakazura), Illustration to Chapter 22 of the Tale of Genji (Genji monogatari)
Paintings
The Tendril Wreath (Tamakazura), Illustration to Chapter 22 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The twenty-second of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
The Warbler’s First Song (Hatsune), Illustration to Chapter 23 of the Tale of Genji (Genji monogatari)
Paintings
The Warbler’s First Song (Hatsune), Illustration to Chapter 23 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The twenty-third of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
Butterflies (Kochō), Illustration to Chapter 24 of the Tale of Genji (Genji monogatari)
Paintings
Butterflies (Kochō), Illustration to Chapter 24 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The twenty-fourth of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
The Fireflies (Hotaru), Illustration to Chapter 25 of the Tale of Genji (Genji monogatari)
Paintings
The Fireflies (Hotaru), Illustration to Chapter 25 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The twenty-fifth of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
The Pink (Tokonatsu), Illustration to Chapter 26 of the Tale of Genji (Genji monogatari)
Paintings
The Pink (Tokonatsu), Illustration to Chapter 26 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The twenty-sixth of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
The Cressets (Kagaribi), Illustration to Chapter 27 of the Tale of Genji (Genji monogatari)
Paintings
The Cressets (Kagaribi), Illustration to Chapter 27 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The twenty-seventh of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
The Typhoon (Nowaki), Illustration to Chapter 28 of the Tale of Genji (Genji monogatari)
Paintings
The Typhoon (Nowaki), Illustration to Chapter 28 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The twenty-eighth of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
The Imperial Progress (Miyuki), Illustration to Chapter 29 of the Tale of Genji (Genji monogatari)
Paintings
The Imperial Progress (Miyuki), Illustration to Chapter 29 of the Tale of Genji (Genji monogatari)
Tosa Mitsunobu, Muromachi period, datable to 1509-1510

The twenty-ninth of a series of 54 painted album leaves mounted in an album with calligraphic excerpts; ink, color, and gold on paper

16th centuryJapanese
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