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The Prophet Muhammad and His Companions at a Feast (painting, recto; text, verso), illustrated folio from a manuscript of Siyar-i Nabi (The Life of the Prophet) by Mustafa Darir of Erzurum
Manuscripts
The Prophet Muhammad and His Companions at a Feast (painting, recto; text, verso), illustrated folio from a manuscript of Siyar-i Nabi (The Life of the Prophet) by Mustafa Darir of Erzurum
Unknown Artist, 1594-1595

Ink, opaque watercolor and gold on paper

16th centuryOttoman
Three folios from a Shahnama
Manuscripts
Three folios from a Shahnama
Unknown Artist, c. 1575

Ink, opaque watercolor and gold on paper

16th centuryPersian
Barzu in Chains (painting, verso; text, recto), illustrated folio from a manuscript of the Turkish translation of the Shahnama
Manuscripts
Barzu in Chains (painting, verso; text, recto), illustrated folio from a manuscript of the Turkish translation of the Shahnama
Unknown Artist, c. 1600-1650

Ink and opaque watercolor on paper

17th centuryOttoman
Divine Field Hockey (painting, recto; text, verso), folio from a manuscript
Manuscripts
Divine Field Hockey (painting, recto; text, verso), folio from a manuscript
Unknown Artist, 20th century

Opaque watercolor and gold on paper

20th centuryIndian
The Seduction of Yusuf, illustrated folio from a manuscript of Yusuf va Zulaykha by Jami
Manuscripts
The Seduction of Yusuf, illustrated folio from a manuscript of Yusuf va Zulaykha by Jami
Unknown Artist, c. 1575

Ink, opaque watercolor and gold on paper

16th centuryUzbek
Two Illustrations from the “Gulistan” of Sa’di (mounted together): Judgement of a Prisoner (above), and A Liar Exposed at Court (below)
Manuscripts
Two Illustrations from the “Gulistan” of Sa’di (mounted together): Judgement of a Prisoner (above), and A Liar Exposed at Court (below)
Manohar, c. 1610

Opaque watercolor and gold on paper

17th centuryMughal
Incident in a Mosque (painting, recto; text, verso), folio 77r from a Divan (collected works) of Hafiz, left-hand side of a double page.
Manuscripts
Incident in a Mosque (painting, recto; text, verso), folio 77r from a Divan (collected works) of Hafiz, left-hand side of a double page.
Shaykh Zada, c. 1530

Ink, opaque watercolor, gold and silver on paper

16th centuryPersian
Text (recto and verso), folio from a manuscript of the Bustan of Sa'di, right-hand side of a bifolio
Manuscripts
Text (recto and verso), folio from a manuscript of the Bustan of Sa'di, right-hand side of a bifolio
Unknown Artist, 16th century

Ink and gold on paper

16th centuryPersian
Text (recto and verso), folio from a manuscript of the Bustan of Sa'di, left-hand side of a bifolio
Manuscripts
Text (recto and verso), folio from a manuscript of the Bustan of Sa'di, left-hand side of a bifolio
Unknown Artist, 16th century

Ink and gold on paper

16th centuryPersian
Text (recto and verso), folio from a manuscript on poetic imagery, right-hand side of a bifolio
Manuscripts
Text (recto and verso), folio from a manuscript on poetic imagery, right-hand side of a bifolio
Unknown Artist, 16th-17th century

Ink, opaque watercolor and gold on paper

16th-17th centuryPersian
Text (recto and verso), folio from a manuscript on poetic imagery, left-hand side of a bifolio
Manuscripts
Text (recto and verso), folio from a manuscript on poetic imagery, left-hand side of a bifolio
Unknown Artist, 16th-17th century

Ink, opaque watercolor and gold on paper

16th-17th centuryPersian
Folio from a Qur'an: Sura 50: begin 33 - mid 45 (recto), Sura 51:1 - begin 19 (verso)
Manuscripts
Folio from a Qur'an: Sura 50: begin 33 - mid 45 (recto), Sura 51:1 - begin 19 (verso)
Unknown Artist, 1327

Ink, opaque watercolor and gold on paper

14th centuryPersian
Rubaiyyat Anthology (text, recto and verso), illuminated folio from a manuscript of Chaghatai poetry
Manuscripts
Rubaiyyat Anthology (text, recto and verso), illuminated folio from a manuscript of Chaghatai poetry
Unknown Artist, 16th century

Ink, opaque watercolor and gold on paper

16th centuryOttoman?
Krishna Kidnaps Rukmini (painting, recto), folio from a Bhagavata Purana series
Manuscripts
Krishna Kidnaps Rukmini (painting, recto), folio from a Bhagavata Purana series
Unknown Artist, c. 1820

Opaque watercolor and gold on paper

19th centuryIndian
The Wedding of Krishna and Rukmini (painting, recto), folio from a Bhagavata Purana series
Manuscripts
The Wedding of Krishna and Rukmini (painting, recto), folio from a Bhagavata Purana series
Unknown Artist, c. 1820

Opaque watercolor and gold on paper

19th centuryIndian
Poet Paying Homage to Krishna (painting, recto), folio from a Bhagavata Purana series
Manuscripts
Poet Paying Homage to Krishna (painting, recto), folio from a Bhagavata Purana series
Unknown Artist, c. 1820

Opaque watercolor and gold on paper

19th centuryIndian
Krishna and Balarama Seated Beneath an Awning (painting, recto), from a Bhagavata Purana series
Manuscripts
Krishna and Balarama Seated Beneath an Awning (painting, recto), from a Bhagavata Purana series
Unknown Artist, c. 1820

Ink, opaque watercolor, gold and graphite on paper

19th centuryIndian
Bahram Gur and the Indian Princess in the Black Pavilion (painting, verso; text, recto), illustrated folio from a manuscript of the Khamsa (Haft Paykar) by Nizami
Manuscripts
Bahram Gur and the Indian Princess in the Black Pavilion (painting, verso; text, recto), illustrated folio from a manuscript of the Khamsa (Haft Paykar) by Nizami
Unknown Artist, 1584

Ink, opaque watercolor and gold on paper

16th centuryPersian
Khusraw and Shirin with Courtiers and Pomegranates  (painting, verso; text, recto), folio from a manuscript of the Khamsa (Khusraw and Shirin) by Nizami
Manuscripts
Khusraw and Shirin with Courtiers and Pomegranates (painting, verso; text, recto), folio from a manuscript of the Khamsa (Khusraw and Shirin) by Nizami
Unknown Artist, 1584

Ink, opaque watercolor and gold on paper

16th centuryPersian
Illuminated frontispiece (illuminated text, recto; text, verso), left-hand side of a bifolio from a manuscript of the Shahnama by Firdawsi
Manuscripts
Illuminated frontispiece (illuminated text, recto; text, verso), left-hand side of a bifolio from a manuscript of the Shahnama by Firdawsi
Qasim, 16th century

Black ink, opaque watercolor, and gold on off-white paper

16th centuryPersian
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