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  1. Harvard Art Museums
  2. Manuscripts

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Colophon (recto), Khusraw va Shirin of Nizami (verso), folio 74 from a Manuscript of Fragments of Mathnavis by `Attar and Nizami
Manuscripts
Colophon (recto), Khusraw va Shirin of Nizami (verso), folio 74 from a Manuscript of Fragments of Mathnavis by `Attar and Nizami
Unknown Artist, 1423-1424

Ink, opaque watercolor and gold on paper

15th centuryPersian
Layla va Majnun (recto), Colophon (verso), folio 81 from a Manuscript of Fragments of Mathnavis by `Attar and Nizami
Manuscripts
Layla va Majnun (recto), Colophon (verso), folio 81 from a Manuscript of Fragments of Mathnavis by `Attar and Nizami
Unknown Artist, 1423-1424

Ink, opaque watercolor and gold on paper

15th centuryPersian
Manuscript of the Forty Hadiths by Jami
Manuscripts
Manuscript of the Forty Hadiths by Jami
Sultan Ahmad Haravi, 1552

Ink, opaque watercolor and gold on paper

16th centuryPersian
Ownership Stamp (recto), folio 3 from a Manuscript of the Forty Hadiths by Jami
Manuscripts
Ownership Stamp (recto), folio 3 from a Manuscript of the Forty Hadiths by Jami
Sultan Ahmad Haravi, 1552

Ink on paper

16th centuryPersian
Introduction (verso), folio 4 from a Manuscript of the Forty Hadiths by Jami
Manuscripts
Introduction (verso), folio 4 from a Manuscript of the Forty Hadiths by Jami
Sultan Ahmad Haravi, 1552

Ink on paper

16th centuryPersian
Hadiths with Persian Paraphrase (recto and verso), folio 5 from a Manuscript of the Forty Hadiths by Jami
Manuscripts
Hadiths with Persian Paraphrase (recto and verso), folio 5 from a Manuscript of the Forty Hadiths by Jami
Sultan Ahmad Haravi, 1552

Ink, opaque watercolor and gold on paper

16th centuryPersian
Hadiths with Persian Paraphrase (recto and verso), Colophon (verso), folio 11 from a Manuscript of the Forty Hadiths by Jami
Manuscripts
Hadiths with Persian Paraphrase (recto and verso), Colophon (verso), folio 11 from a Manuscript of the Forty Hadiths by Jami
Sultan Ahmad Haravi, 1552

Ink, opaque watercolor and gold on paper

16th centuryPersian
Manuscript of  Yusuf va Zulaykha by Jami
Manuscripts
Manuscript of Yusuf va Zulaykha by Jami
Shah Mahmud, 1502-1503

Text; ink, opaque watercolor and gold on paper, with black and gold binding

16th centuryPersian
Notes and Stamps (recto), Frontispiece, Introduction (verso), folio 2 from a Manuscript of Yusuf va Zulaykha by Jami
Manuscripts
Notes and Stamps (recto), Frontispiece, Introduction (verso), folio 2 from a Manuscript of Yusuf va Zulaykha by Jami
Shah Mahmud, 1502-1503

Ink, opaque watercolor and gold on paper

16th centuryPersian
Frontispiece, Introduction (recto), Opening Chapter (verso), folio 3 from a Manuscript of Yusuf va Zulaykha by Jami
Manuscripts
Frontispiece, Introduction (recto), Opening Chapter (verso), folio 3 from a Manuscript of Yusuf va Zulaykha by Jami
Shah Mahmud, 1502-1503

Ink, opaque watercolor and gold on paper

16th centuryPersian
Text (recto and verso), folio 50 from a Manuscript of Yusuf va Zulaykha by Jami
Manuscripts
Text (recto and verso), folio 50 from a Manuscript of Yusuf va Zulaykha by Jami
Shah Mahmud, 1502-1503

Ink, opaque watercolor and gold on paper

16th centuryPersian
Closing Chapter and Colophon (recto), folio 174 from a Manuscript of Yusuf va Zulaykha by Jami
Manuscripts
Closing Chapter and Colophon (recto), folio 174 from a Manuscript of Yusuf va Zulaykha by Jami
Shah Mahmud, 1502-1503

Ink, opaque watercolor and gold on paper

16th centuryPersian
Folio from a Qur'an: Sura 3: 53 - 63 (recto), Sura 3: 63 - 72 (verso)
Manuscripts
Folio from a Qur'an: Sura 3: 53 - 63 (recto), Sura 3: 63 - 72 (verso)
Unknown Artist, 12th century

Ink and opaque watercolor on paper

12th centuryPersian
A Lady at Her Toilet with Two Maids
Manuscripts
A Lady at Her Toilet with Two Maids
Rodu, 1678

Opaque watercolor and gold on paper

17th centuryIndian
Treatise on Archery, with Draft of an English Translation Inserted [also 'facsimile of surimono by Sadanobu inserted in book' (accession card)]
Manuscripts
Treatise on Archery, with Draft of an English Translation Inserted [also 'facsimile of surimono by Sadanobu inserted in book' (accession card)]
Unknown Artist, 17th-19th century

Manuscript; ink on paper

17th-19th centuryJapanese
Buddhist Sutra: Myobŏp Yŏnhwa Kyŏng (Chinese, Miaofa Lianhua Jing; Sanskrit, Saddharmapundarika Sutra; English, Lotus Sutra), Chapter 1, Preface
Manuscripts
Buddhist Sutra: Myobŏp Yŏnhwa Kyŏng (Chinese, Miaofa Lianhua Jing; Sanskrit, Saddharmapundarika Sutra; English, Lotus Sutra), Chapter 1, Preface
Kim Saeng, 14th-16th century

Accordion-fold book with glued spine; gold ink on white paper

14th-16th centuryKorean
Buddhist Sutra: Pulsŏl Chŏngsaeng'wang Inyŏn Kyŏng (Chinese, Fuoshuo Dingshengwang Yinyuan Jing), Section from Chapter 3
Manuscripts
Buddhist Sutra: Pulsŏl Chŏngsaeng'wang Inyŏn Kyŏng (Chinese, Fuoshuo Dingshengwang Yinyuan Jing), Section from Chapter 3
Unknown Artist, 1354

Section of a handscroll; silver ink on indigo-blue paper

14th centuryKorean
Calligraphic Section of "Korean Acrobats Performing on Horseback"
Manuscripts
Calligraphic Section of "Korean Acrobats Performing on Horseback"
Unknown Artist, Mid to Late Edo period, 18th-19th century

Handscroll fragment, unmounted: one of two (text); ink on paper

18th-19th centuryJapanese
Daihannya-haramitta-kyō (Mahaprajnaparamita sutra), No. 267
Manuscripts
Daihannya-haramitta-kyō (Mahaprajnaparamita sutra), No. 267
Unknown Artist, 7th-8th century

Handscroll converted into an "orihon" (folded book); ink on paper with red marks

7th-8th centuryJapanese
Illustrated Story about late-17th-century Nouveaux Riches (Ogon suidaijin sakazuki by Tamenaga Shunsui II, 1823-1886), first of two manuscript volumes
Manuscripts
Illustrated Story about late-17th-century Nouveaux Riches (Ogon suidaijin sakazuki by Tamenaga Shunsui II, 1823-1886), first of two manuscript volumes
Yamada Kunijirō (Ichiyūsai II; Kuniteru), Late Edo period, circa 1853

Thread-bound book (manuscript for printed version); ink on paper

19th centuryJapanese
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