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  1. Harvard Art Museums
  3. Manuscripts

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Painting (recto), Ghazals (verso), illustrated folio (163) from a Divan of Hafiz
Manuscripts
Painting (recto), Ghazals (verso), illustrated folio (163) from a Divan of Hafiz
Unknown Artist, c. 1540-1550

Ink, opaque watercolor and gold on paper

16th centuryPersian
Quatrains and Colophon (recto), folio 221 from a Divan of Hafiz
Manuscripts
Quatrains and Colophon (recto), folio 221 from a Divan of Hafiz
Unknown Artist, c. 1540-1550

Ink, opaque watercolor and gold on paper

16th centuryPersian
Calligraphy by Mir `Ali Haravi with paintings by an unknown artist (recto and verso), folio from an Anthology of Poetry
Manuscripts
Calligraphy by Mir `Ali Haravi with paintings by an unknown artist (recto and verso), folio from an Anthology of Poetry
Mir `Ali Haravi, mid 16th century

Ink, opaque watercolor and gold on paper

16th centuryUzbek
Calligraphy by Mir `Ali Haravi with paintings by an unknown artist (recto and verso), folio from an Anthology of Poetry
Manuscripts
Calligraphy by Mir `Ali Haravi with paintings by an unknown artist (recto and verso), folio from an Anthology of Poetry
Mir `Ali Haravi, mid 16th century

Ink, opaque watercolor and gold on paper

16th centuryPersian
Calligraphy by Mir `Ali Haravi with paintings by an unknown artist (recto and verso), folio from an Anthology of Poetry
Manuscripts
Calligraphy by Mir `Ali Haravi with paintings by an unknown artist (recto and verso), folio from an Anthology of Poetry
Mir `Ali Haravi, mid 16th century

Ink, opaque watercolor and gold on paper

16th centuryPersian
Calligraphy by Mir `Ali Haravi with paintings by an unknown artist (recto and verso), folio from an Anthology of Poetry
Manuscripts
Calligraphy by Mir `Ali Haravi with paintings by an unknown artist (recto and verso), folio from an Anthology of Poetry
Mir `Ali Haravi, mid 16th century

Ink, opaque watercolor and gold on paper

16th centuryUzbek
Calligraphy by Mir `Ali Haravi with paintings by an unknown artist (recto and verso), folio from an Anthology of Poetry
Manuscripts
Calligraphy by Mir `Ali Haravi with paintings by an unknown artist (recto and verso), folio from an Anthology of Poetry
Mir `Ali Haravi, mid 16th century

Ink, opaque watercolor and gold on paper

16th centuryUzbek
Calligraphy by Mir `Ali Haravi with paintings by an unknown artist (recto and verso), folio from an Anthology of Poetry
Manuscripts
Calligraphy by Mir `Ali Haravi with paintings by an unknown artist (recto and verso), folio from an Anthology of Poetry
Mir `Ali Haravi, mid 16th century

Ink, opaque watercolor and gold on paper

16th centuryUzbek
Calligraphy by Mir `Ali Haravi with paintings by an unknown artist (recto and verso), folio from an Anthology of Poetry
Manuscripts
Calligraphy by Mir `Ali Haravi with paintings by an unknown artist (recto and verso), folio from an Anthology of Poetry
Mir `Ali Haravi, mid 16th century

Ink, opaque watercolor and gold on paper

16th centuryUzbek
Calligraphy by Mir `Ali Haravi with paintings by an unknown artist (recto and verso), folio from an Anthology of Poetry
Manuscripts
Calligraphy by Mir `Ali Haravi with paintings by an unknown artist (recto and verso), folio from an Anthology of Poetry
Mir `Ali Haravi, mid 16th century

Ink, opaque watercolor and gold on paper

16th centuryUzbek
Two Youths Under a Tree (painting, verso; calligraphy, recto), folio from a manuscript
Manuscripts
Two Youths Under a Tree (painting, verso; calligraphy, recto), folio from a manuscript
Mir `Ali Haravi, mid 16th century

Ink, opaque watercolor and gold on paper

16th centuryUzbek
Nomadic Encampment, probably a folio from a manuscript of Layla va Majnun by Jami
Manuscripts
Nomadic Encampment, probably a folio from a manuscript of Layla va Majnun by Jami
Mir Sayyid ‘Ali, c. 1540

Opaque watercolor, gold and silver on paper

16th centuryPersian
Nighttime in a City, probably a folio from an illustrated manuscript
Manuscripts
Nighttime in a City, probably a folio from an illustrated manuscript
Mir Sayyid ‘Ali, c. 1540

Opaque watercolor, gold and silver on paper

16th centuryPersian
Manuscript of the Guy u Chawgan (The Ball and the Polo Stick ) of `Arifi
Manuscripts
Manuscript of the Guy u Chawgan (The Ball and the Polo Stick ) of `Arifi
Mir Ali al Husayni, 1523

Paintings with text; ink, opaque watercolor and gold on paper, with red and gold leather binding

16th centuryPersian
Ownership Notes and Stamps (recto), The Angels Who Pray for the King, Introduction (frontispiece painting, verso), folio 1 from an illustrated Manuscript of the Guy u Chawgan by `Arifi
Manuscripts
Ownership Notes and Stamps (recto), The Angels Who Pray for the King, Introduction (frontispiece painting, verso), folio 1 from an illustrated Manuscript of the Guy u Chawgan by `Arifi
Mir Ali al Husayni, 1523

Ink, opaque watercolor and gold on paper

16th centuryPersian
The Angels Who Pray for the King, Introduction (frontispiece painting, recto), Text (verso), folio 2 from a Manuscript of the Guy u Chawgan by `Arifi
Manuscripts
The Angels Who Pray for the King, Introduction (frontispiece painting, recto), Text (verso), folio 2 from a Manuscript of the Guy u Chawgan by `Arifi
Mir Ali al Husayni, 1523

Ink, opaque watercolor and gold on paper

16th centuryPersian
Text (recto and verso), folio 4 from a Manuscript of the Guy u Chawgan by `Arifi
Manuscripts
Text (recto and verso), folio 4 from a Manuscript of the Guy u Chawgan by `Arifi
Mir Ali al Husayni, 1523

Ink on paper

16th centuryPersian
The King and His Young Son (painting, verso), Text (recto), illustrated folio (11) from a Manuscript of Guy u Chawgan by `Arifi
Manuscripts
The King and His Young Son (painting, verso), Text (recto), illustrated folio (11) from a Manuscript of Guy u Chawgan by `Arifi
Mir Ali al Husayni, 1523

Ink, opaque watercolor and gold on paper

16th centuryPersian
Text (recto and verso), folio 19 from a Manuscript of the Guy u Chawgan by `Arifi
Manuscripts
Text (recto and verso), folio 19 from a Manuscript of the Guy u Chawgan by `Arifi
Mir Ali al Husayni, 1523

Ink, opaque watercolor and gold on paper

16th centuryPersian
Text (recto), Young Prince Accepts a Polo Ball from the Dervish (painting, verso), illustrated folio (28) from a Manuscript of the Guy u Chawgan by `Arifi
Manuscripts
Text (recto), Young Prince Accepts a Polo Ball from the Dervish (painting, verso), illustrated folio (28) from a Manuscript of the Guy u Chawgan by `Arifi
Mir Ali al Husayni, 1523

Ink, opaque watercolor and gold on paper

16th centuryPersian
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