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  1. Harvard Art Museums
  2. Manuscripts

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Ten Folios from a Manuscript of a Legal Commentary
Manuscripts
Ten Folios from a Manuscript of a Legal Commentary
Unknown Artist

Ink on paper

Islamic
Six Folios from a Manuscript of a Manual
Manuscripts
Six Folios from a Manuscript of a Manual
Unknown Artist

Ink on paper

Islamic
Ten Folios from a Legal Manuscript
Manuscripts
Ten Folios from a Legal Manuscript
Unknown Artist

Ink on paper

Islamic
Ten Folios from a Manuscript of the Al-Raybiyya fi l-fara'id of Badr al-din Sibt al-Mardini (1423-1506)
Manuscripts
Ten Folios from a Manuscript of the Al-Raybiyya fi l-fara'id of Badr al-din Sibt al-Mardini (1423-1506)
Unknown Artist, 15th-16th century

Ink on paper

15th-16th centuryIslamic
Hebrew Script, attached bifolio
Manuscripts
Hebrew Script, attached bifolio
Unknown Artist

Ink on parchment

Folio from a Qur'an: Sura 56: end 79 - end 96 and Sura 57: 1 - mid 3 (recto), Sura 57: mid 3 - mid 10 (verso)
Manuscripts
Folio from a Qur'an: Sura 56: end 79 - end 96 and Sura 57: 1 - mid 3 (recto), Sura 57: mid 3 - mid 10 (verso)
Unknown Artist, 13th century

Ink, opaque watercolor and gold on paper

13th centuryIslamic
Devotional Sufi Text (recto and verso), folio from a manuscript
Manuscripts
Devotional Sufi Text (recto and verso), folio from a manuscript
Unknown Artist, 16th-17th century

Ink, opaque watercolor and gold on paper

16th-17th centuryOttoman
Folio from a Qur'an: Sura 6: 89 - 93 (recto), Sura 6: 93 - 98 (verso), right-hand side of a bifolio
Manuscripts
Folio from a Qur'an: Sura 6: 89 - 93 (recto), Sura 6: 93 - 98 (verso), right-hand side of a bifolio
Unknown Artist, 16th century

Ink, opaque watercolor and gold on paper

16th centuryPersian
Folio from a Qur'an: Sura 6: 145 - 150 (recto), Sura 6: 150 - 153 (verso), left-hand side of a bifolio
Manuscripts
Folio from a Qur'an: Sura 6: 145 - 150 (recto), Sura 6: 150 - 153 (verso), left-hand side of a bifolio
Unknown Artist, 16th century

Ink, opaque watercolor and gold on paper

16th centuryPersian
Khusraw and Shirin (recto and verso), folio from a manuscript of poetry
Manuscripts
Khusraw and Shirin (recto and verso), folio from a manuscript of poetry
Unknown Artist, 16th century

Ink, opaque watercolor and gold on paper

16th centuryPersian
Death of Yazdigird, Father of Bahram Gur (recto and verso), folio from a manuscript of the Shahnama by Firdawsi
Manuscripts
Death of Yazdigird, Father of Bahram Gur (recto and verso), folio from a manuscript of the Shahnama by Firdawsi
Unknown Artist, 16th century

Ink, opaque watercolor and gold on paper

16th centuryPersian
Shirin goes to Khusraw 's Palace (recto and verso), folio from a manuscript of Khusraw va Shirin by Nizami
Manuscripts
Shirin goes to Khusraw 's Palace (recto and verso), folio from a manuscript of Khusraw va Shirin by Nizami
Unknown Artist, 16th century

Ink, opaque watercolor and gold on paper

16th centuryPersian
Destruction of Temples by Iskandar (recto and verso), folio from a manuscript of the Iskandar Nama by Nizami, right-hand side of a bifolio
Manuscripts
Destruction of Temples by Iskandar (recto and verso), folio from a manuscript of the Iskandar Nama by Nizami, right-hand side of a bifolio
Unknown Artist, 16th-17th century

Ink and gold on paper

16th-17th centuryPersian
Destruction of Temples by Iskandar (recto and verso), folio from a manuscript of the Iskandar Nama of Nizami, right-hand side of a bifolio
Manuscripts
Destruction of Temples by Iskandar (recto and verso), folio from a manuscript of the Iskandar Nama of Nizami, right-hand side of a bifolio
Unknown Artist, 16th-17th century

Ink and gold on paper

16th-17th centuryPersian
Text (recto and verso), folio from a manuscript of the Iskandar Nama of Nizami
Manuscripts
Text (recto and verso), folio from a manuscript of the Iskandar Nama of Nizami
Unknown Artist, 16th-17th century

Ink and gold on paper

16th-17th centuryPersian
Text (recto and verso), folio from a manuscript with Ghazals of Sa'di in margins, right-hand side of a separated biofolio
Manuscripts
Text (recto and verso), folio from a manuscript with Ghazals of Sa'di in margins, right-hand side of a separated biofolio
Unknown Artist, 16th century

Ink, opaque watercolor and gold on paper

16th centuryPersian
Text (recto and verso), folio from a manuscript with Ghazals of Sa'di in margins, left-hand side of a separated bifolio
Manuscripts
Text (recto and verso), folio from a manuscript with Ghazals of Sa'di in margins, left-hand side of a separated bifolio
Unknown Artist, 16th century

Ink, opaque watercolor and gold on paper

16th centuryPersian
Mahiya frees Zambur, Beheads his sleeping guards, and suspends Gharrad in his stead (painting, verso); Nine Lines of Nasta‘liq Script (text, recto), illustrated folio from a manuscript of the Hamzanama
Manuscripts
Mahiya frees Zambur, Beheads his sleeping guards, and suspends Gharrad in his stead (painting, verso); Nine Lines of Nasta‘liq Script (text, recto), illustrated folio from a manuscript of the Hamzanama
Mir Sayyid ‘Ali, c. 1570

Illustration: opaque watercolor and gold on cotton fabric. Text: ink and gold on paper. Both sides framed with a paper border with opaque watercolor ruling

16th centuryMughal
Rustam Dragging the Khaqan of Chin from his Saddle (painting, verso), Rustam Battles Kamus (text, recto), folio from a manuscript of the Shahnama of Firdawsi
Manuscripts
Rustam Dragging the Khaqan of Chin from his Saddle (painting, verso), Rustam Battles Kamus (text, recto), folio from a manuscript of the Shahnama of Firdawsi
Mu’in Musavvir, 1648-1649

Ink, opaque watercolor and gold on paper

17th centuryPersian
The Return of Zal, Rustam and Gudarz (painting, recto); The Story of Luhrasp (text, verso), folio from a manuscript of the Shahnama of Firdawsi
Manuscripts
The Return of Zal, Rustam and Gudarz (painting, recto); The Story of Luhrasp (text, verso), folio from a manuscript of the Shahnama of Firdawsi
Mu’in Musavvir, 17th century

Ink, opaque watercolor, gold and silver on paper

17th centuryPersian
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