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  1. Harvard Art Museums
  3. Manuscripts

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1882 results

Battle Scene (painting, recto), folio fragment from a Bhagavata Purana series
Manuscripts
Battle Scene (painting, recto), folio fragment from a Bhagavata Purana series
Unknown Artist, c.1540

Opaque watercolor on paper

16th centuryIndian
Text (recto and verso), folio 76r from a Divan (collected works) of Hafiz, right-hand side of a bifolo.
Manuscripts
Text (recto and verso), folio 76r from a Divan (collected works) of Hafiz, right-hand side of a bifolo.
Unknown Artist, c.1530

Ink, color and gold on paper

16th centuryPersian
Folio from a Qur'an: Sura 4: 160 -161 (recto), Sura 4: 161-162 (verso)
Manuscripts
Folio from a Qur'an: Sura 4: 160 -161 (recto), Sura 4: 161-162 (verso)
Unknown Artist, 12th century

Ink, opaque watercolor and gold on paper

12th centuryPersian
Folio from a Qur'an: Sura 49: mid 15 - begin 16 (recto), Sura 49: 16 (verso)
Manuscripts
Folio from a Qur'an: Sura 49: mid 15 - begin 16 (recto), Sura 49: 16 (verso)
Unknown Artist, 9th century

Ink and gold on parchment

9th centuryArab
Illustrated Text on Cosmology (Traiphum) with Captions written in Thai Language and Script
Manuscripts
Illustrated Text on Cosmology (Traiphum) with Captions written in Thai Language and Script
Unknown Artist, late 19th century

Two-sided accordion-fold manuscript; ink, color and gold on khoi paper, with lacquered cover

19th centuryThai
The Goddess Durga Battles Demons, folio from a manuscript of the Durgasaptashati (Seven Hundred Couplets in Praise of Durga)
Manuscripts
The Goddess Durga Battles Demons, folio from a manuscript of the Durgasaptashati (Seven Hundred Couplets in Praise of Durga)
Unknown Artist, c. 1500

Opaque watercolor on paper

15th centuryIndian
Buddhist Sutra: Hwaŏm Kyŏng (Chinese, Huayan Jing; Sanskrit, Avatamsaka Sutra), Chapter 77, with Frontispiece
Manuscripts
Buddhist Sutra: Hwaŏm Kyŏng (Chinese, Huayan Jing; Sanskrit, Avatamsaka Sutra), Chapter 77, with Frontispiece
Unknown Artist, early 15th century

Accordion-fold book; gold and silver pigments on indigo-blue paper

15th centuryKorean
Illustrated Buddhist Text (in Khmer script)
Manuscripts
Illustrated Buddhist Text (in Khmer script)
Unknown Artist, 19th century
19th centuryThai
Afrasiyab and Siyavush Embrace (painting, recto; text, verso), illustrated folio from a manuscript of the Shahnama by Firdawsi
Manuscripts
Afrasiyab and Siyavush Embrace (painting, recto; text, verso), illustrated folio from a manuscript of the Shahnama by Firdawsi
Unknown Artist, 1520-1540

Black ink, opaque watercolor, gold, and silver on off-white paper, with underdrawing in black ink

16th centuryPersian
It's the Day for the Garden (painting, recto; text, verso), folio 173 from a manuscript of the Divan (Collection of Works) of Anvari
Manuscripts
It's the Day for the Garden (painting, recto; text, verso), folio 173 from a manuscript of the Divan (Collection of Works) of Anvari
Mahesh, 1588

Ink, opaque watercolor, and gold on paper

16th centuryIndian
Tahmina Comes into Rustam's Chamber, illustrated folio from a manuscript of the Shahnama of Firdawsi
Manuscripts
Tahmina Comes into Rustam's Chamber, illustrated folio from a manuscript of the Shahnama of Firdawsi
Unknown Artist, c. 1434

Opaque watercolor and gold on paper

15th centuryPersian
Day of Judgment, folio from a manuscript of the Falnama (Book of Omens).
Manuscripts
Day of Judgment, folio from a manuscript of the Falnama (Book of Omens).
Unknown Artist, c. 1555

Opaque watercolor and gold on paper

16th centuryPersian
Iskandar's Iron Cavalry Battles King Fur of Hind (text, recto; painting, verso), illustrated folio from the Great Ilkhanid Shahnama (Book of Kings)
Manuscripts
Iskandar's Iron Cavalry Battles King Fur of Hind (text, recto; painting, verso), illustrated folio from the Great Ilkhanid Shahnama (Book of Kings)
Unknown Artist, c. 1335

Ink, colors, gold, and silver on paper

14th centuryPersian
The Prophet Muhammad’s Ascent to Heaven (painting, verso; text, recto), folio from a manuscript of the Khamsa (Layla and Majnun) by Nizami
Manuscripts
The Prophet Muhammad’s Ascent to Heaven (painting, verso; text, recto), folio from a manuscript of the Khamsa (Layla and Majnun) by Nizami
Unknown Artist, 1584

Ink, opaque watercolor and gold on paper

16th centuryPersian
Bahram Gur Fights the Horned Wolf (painting, verso; text, recto), illustrated folio from a manuscript of the Great Ilkhanid Shahnama (Book of Kings)
Manuscripts
Bahram Gur Fights the Horned Wolf (painting, verso; text, recto), illustrated folio from a manuscript of the Great Ilkhanid Shahnama (Book of Kings)
Unknown Artist, c. 1335

Ink, colors, gold, and silver on paper

14th centuryPersian
Illustrated Manuscript of Layla and Majnun by Nizami
Manuscripts
Illustrated Manuscript of Layla and Majnun by Nizami
Unknown Artist, 1470

Ink, colors, and gold on paper; leather binding with gilded tooling

15th centuryPersian
Illustrated Manuscript of the Khamsa (Quintet) by Nizami
Manuscripts
Illustrated Manuscript of the Khamsa (Quintet) by Nizami
Unknown Artist, 1489

Ink, colors, and gold on paper; leather binding

15th centuryPersian
Flyleaf with a drawing and erased seal impressions (erased seal impression recto; drawing verso of folio 1), folio from a manuscript of the Khamsa by Nizami
Manuscripts
Flyleaf with a drawing and erased seal impressions (erased seal impression recto; drawing verso of folio 1), folio from a manuscript of the Khamsa by Nizami
Unknown Artist, 1489

Ink, colors, and gold on paper

15th centuryPersian
Acquisition note of Basile B. Corpi and the right half of the double-page illuminated frontispiece (acquisition note of Basile B. Corpi recto and illumination verso of folio 2) from a manuscript of the Khamsa by Nizami
Manuscripts
Acquisition note of Basile B. Corpi and the right half of the double-page illuminated frontispiece (acquisition note of Basile B. Corpi recto and illumination verso of folio 2) from a manuscript of the Khamsa by Nizami
Unknown Artist, 1489

Ink, colors, and gold on paper

15th centuryPersian
The left half of the double-page illuminated frontispiece (illumination recto; text verso of folio 3), frontispiece from a manuscript of the Khamsa by Nizami
Manuscripts
The left half of the double-page illuminated frontispiece (illumination recto; text verso of folio 3), frontispiece from a manuscript of the Khamsa by Nizami
Unknown Artist, 1489

Ink, colors, and gold on paper

15th centuryPersian
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