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Much Reduced Study of the Dragon in Carpaccio's Picture of St. George and the Dragon, in the Chapel of S. Giorgio dei [sic] Schiavoni, Venice, 1876

Charles Herbert Moore, 1875

Watercolor over graphite on off-white wove paper

19th centuryAmerican

Drawings

Reduced Study of a Fresco, Representing Peter Released from Prison, by Filippino Lippi, in the Brancacci Chapel at Florence

Charles Herbert Moore, 1877

Watercolor and gouache over graphite on off-white wove paper

19th centuryAmerican

Drawings

Boats on the River Loire, near Ingrandes, after J.M.W. Turner

Joseph Mallord William Turner, 18th-19th century

Watercolor on blue wove paper

18th-19th centuryBritish

Drawings

Saumur, after Turner

William Ward II, 19th-20th century

Watercolor on blue wove paper

19th-20th centuryBritish

Drawings

Fac-simile of the Central Portion of the Picture Called "The Calumny of Apelles," by Sandro Botticelli, in the Uffizi Gallery at Florence

Charles Herbert Moore, 1877

Watercolor and gouache with gold paint over graphite on off-white wove paper

19th centuryAmerican

Drawings

Fac-simile of a Portion of an Altar-Picture Representing the Madonna Enthroned, Surrounded by Saints and Angels, by Fra Angelico, in the Florence Academy

Charles Herbert Moore, 1878

Watercolor, gouache, ink, gold leaf, and graphite, with incising and punchwork, on off-white wove watercolor paper

19th centuryAmerican

Drawings

Study, Reduced to about One Quarter, of Tintoret's Sketch of "The Entry into Jerusalem," in the Uffizi Gallery at Florence

Charles Herbert Moore, 1876

Watercolor and white gouache on off-white wove paper

19th centuryAmerican

Drawings

Study of Furniture: Chair and Bureau

Charles Herbert Moore, 19th-20th century

Black ink, gray wash and white gouache on off-white wove paper, mounted on buff wove paper

19th-20th centuryAmerican

Drawings

Lyre Players, after Della Robbia

Martin Mower, 19th-20th century

Graphite on off-white wove paper

19th-20th centuryAmerican

Drawings

Mullen and Rocks

Charles Herbert Moore, 1883

Watercolor and graphite on off-white wove paper

19th centuryAmerican

Drawings

Brecon, Castle and Bridge, after Turner

Miss Bundell, 19th century

Graphite on off-white wove paper

19th centuryBritish

Drawings

Ivy, Enlarged from an Early English Manuscript in the British Museum

Charles Herbert Moore, c. 1876-1878

Watercolor, white gouache, and black ink over graphite on off-white wove paper

19th-20th centuryAmerican

Drawings

Grape-Vine, from an Eleventh-Century Mosaic in the Ceiling of the Vestibule of the Church of Saint Mark at Venice

Charles Herbert Moore, c. 1876-1877

Watercolor, gouache and gold paint on off-white wove paper

19th centuryAmerican

Drawings

Heraldic Device with Shield and Eagle

Charles Herbert Moore, c. 1876-1878

Watercolor and black ink on ivory wove paper

19th-20th centuryAmerican

Drawings

Heraldic Device with Shield and Lion

Charles Herbert Moore, c. 1876-1878

Watercolor, black ink and gray wash on ivory wove paper

19th-20th centuryAmerican

Drawings

Plant Stalk

Charles Herbert Moore, 1874

Watercolor and white gouache over graphite on buff wove paper

19th centuryAmerican

Drawings

Plant Stalk

Charles Herbert Moore, c. 1874

Watercolor over graphite on buff wove paper

19th-20th centuryAmerican

Drawings

Lion, from an Archaic Greek Vase in the British Museum

Charles Herbert Moore, c. 1876-1878

Watercolor on off-white wove paper

19th-20th centuryAmerican

Drawings

Swan, from an Archaic Greek Vase in the British Museum

Charles Herbert Moore, c. 1876-1878

Watercolor on off-white wove paper

19th-20th centuryAmerican

Drawings

Staff-head, after Giottino

Charles Herbert Moore, 19th-20th century

Brown ink and wash over graphite on heavy off-white wove paper

19th-20th centuryAmerican

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