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Harvard Art Museums
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Landscape with Trees; verso: Woman Seated at the Base of a Tree, for "Una"

Landscape with Trees; verso: Woman Seated at the Base of a Tree, for "Una"

Washington Allston, 1804 - 1808

Graphite on off-white wove paper

19th centuryAmerican

Female nude asleep in pose of Venus; study of a female head and arm playing a mandolin

Female nude asleep in pose of Venus; study of a female head and arm playing a mandolin

Washington Allston, 1829 - 1832

Graphite on yellowed wove tracing paper mounted to tissue

19th centuryAmerican

Features of a Woman Gazing Upward, Study for "Belshazzar's Feast"

Features of a Woman Gazing Upward, Study for "Belshazzar's Feast"

Washington Allston, c. 1829

Red and white chalk on blue-gray wove paper

19th centuryAmerican

Male Head in Profile; Arm, for "Dead Man Revived..."; verso: Three Heads and Arm

Washington Allston, 1811 - 1813

Graphite and white chalk on gray wove paper

19th centuryAmerican

Barking Dog in Profile, study for "Falstaff Enlisting his Ragged Regiment..."

Washington Allston, c. 1806

Graphite on ivory wove paper

19th centuryAmerican

Scene from "Henry VIII;" verso: Scene from "The Tempest"

Scene from "Henry VIII;" verso: Scene from "The Tempest"

Washington Allston, c. 1819

Graphite on off-white laid paper

19th centuryAmerican

Half-Length Woman with Children, for "Mother and Child;" verso: Reclining Figure

Half-Length Woman with Children, for "Mother and Child;" verso: Reclining Figure

Washington Allston, c. 1829

Graphite on off-white wove paper

19th centuryAmerican

Figures around a Table, for "Falstaff Enlisting..."; Group of Frightened Figures

Figures around a Table, for "Falstaff Enlisting..."; Group of Frightened Figures

Washington Allston, 1801 - 1811

Graphite on ivory wove paper

19th centuryAmerican

Spalatro's Head, for "Spalatro's Vision of the Bloody Hand"

Spalatro's Head, for "Spalatro's Vision of the Bloody Hand"

Washington Allston, 1830

Graphite on thin off-white wove paper

19th centuryAmerican

Three Sketches of a Skirt; Two Heads in Profile, Studies for "Family Group"

Washington Allston, 1830 - 1833

Brown ink on ivory wove paper

19th centuryAmerican

Spalatro's Head, for "Spalatro's Vision of the Bloody Hand"

Spalatro's Head, for "Spalatro's Vision of the Bloody Hand"

Washington Allston, 1830

Graphite on thin off-white wove paper

19th centuryAmerican

Drapery study, for "Lorenzo and Jessica"

Drapery study, for "Lorenzo and Jessica"

Washington Allston, 1832

Graphite on ivory wove paper

19th centuryAmerican

Ann Channing Allston, for "The Valentine"

Ann Channing Allston, for "The Valentine"

Washington Allston, 1809 - 1811

Graphite on off-white wove paper

19th centuryAmerican

Angel and Figures, for "Christ Healing the Sick"

Angel and Figures, for "Christ Healing the Sick"

Washington Allston, 1812 - 1813

Black ink on ivory wove paper

19th centuryAmerican

Seated Young Woman, for "Spanish Girl in Reverie"

Seated Young Woman, for "Spanish Girl in Reverie"

Washington Allston, 1831

Graphite on off-white wove paper

19th centuryAmerican

Horse-Drawn Carriage Attacked by a Man on Foot, from an ornamental fireplace

Horse-Drawn Carriage Attacked by a Man on Foot, from an ornamental fireplace

Washington Allston, c. 1819?

Brown ink on off-white laid paper

19th centuryAmerican

Head of an Old Man, for "Dead Man Revived..."; verso: Drapery Study

Head of an Old Man, for "Dead Man Revived..."; verso: Drapery Study

Washington Allston, 1811 - 1813

Black and white chalk on brown wove paper

19th centuryAmerican

Landscape with Trees and Mountain

Landscape with Trees and Mountain

Washington Allston, 1818 - 1821

Black ink on thin off-white wove paper

19th centuryAmerican

Wooded Landscape with Stream; Partial Landscape with Tree and Tower

Wooded Landscape with Stream; Partial Landscape with Tree and Tower

Washington Allston, 1818

Black ink on off-white wove paper

19th centuryAmerican

Tubal Confronting Shylock, from "Merchant of Venice"

Tubal Confronting Shylock, from "Merchant of Venice"

Washington Allston, 1830 - 1839

Brown ink on thin off-white wove paper

19th centuryAmerican

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