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  2. Calligraphy

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Discover artworks from the Harvard Art Museums collection

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The Mayfly (Kagerō), Calligraphic Excerpt from Chapter 52 of the Tale of Genji (Genji monogatari)
Calligraphy
The Mayfly (Kagerō), Calligraphic Excerpt from Chapter 52 of the Tale of Genji (Genji monogatari)
Son'ō Jugō, Muromachi period, datable to 1509-1510

The fifty-second of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
Writing Practice (Tenarai), Calligraphic Excerpt from Chapter 53 of the Tale of Genji (Genji monogatari)
Calligraphy
Writing Practice (Tenarai), Calligraphic Excerpt from Chapter 53 of the Tale of Genji (Genji monogatari)
Reizei Tamehiro, Muromachi period, datable to 1509-1510

The fifty-third of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
The Floating Bridge of Dreams (Yume no Ukihashi), Calligraphic Excerpt from Chapter 54 of the Tale of Genji (Genji monogatari)
Calligraphy
The Floating Bridge of Dreams (Yume no Ukihashi), Calligraphic Excerpt from Chapter 54 of the Tale of Genji (Genji monogatari)
Jōhōji Kōjo, Muromachi period, datable to 1509-1510

The fifty-fourth of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
Lotus Sutra (Hokke-kyō), Chapter 15: Section Describing Bodhisattvas Emerging from the Earth
Calligraphy
Lotus Sutra (Hokke-kyō), Chapter 15: Section Describing Bodhisattvas Emerging from the Earth
Unknown Artist, Nara period, late 8th century

Handscroll fragment mounted as a hanging scroll; gold on paper

8th centuryJapanese
Fragment of Nigatsudō Yake-kyō (Burnt Sutra from Nigatsudō, Tōdai-ji, Nara)
Calligraphy
Fragment of Nigatsudō Yake-kyō (Burnt Sutra from Nigatsudō, Tōdai-ji, Nara)
Unknown Artist, 8th century

Handscroll fragment; silver pigment on dark blue paper with silver guide lines

8th centuryJapanese
Hannya-shingyō (also called Sumi-dera Shingyō)
Calligraphy
Hannya-shingyō (also called Sumi-dera Shingyō)
Kōbō Daishi (Kūkai), 7th-8th century

Handscroll; ink on paper

7th-8th centuryJapanese
Album of Chinese, Korean and Japanese Calligraphy (Collection of Sutra Fragments)
Calligraphy
Album of Chinese, Korean and Japanese Calligraphy (Collection of Sutra Fragments)
Unknown Artist, Various periods including Song, Koryō, Tempyō, Heian, Kamakura...

Calligaphic and printed fragments mounted in accordion-fold album; ink, gold and silver on various colored papers

Japanese
Greater Sutra of the Perfection of Wisdom (Daihannya-haramitta-kyō) Vol. 244
Calligraphy
Greater Sutra of the Perfection of Wisdom (Daihannya-haramitta-kyō) Vol. 244
Unknown Artist, Late Nara period, 730

Handscroll converted into an "orihon" (folding book); ink on paper with columnar guidelines in pale ink and punctuation marks in red; Paper covers with pale red printed design and printed label. Dated by inscription.

8th centuryJapanese
Commentary on the Greater Sutra of the Perfection of Wisdom (Daichido-ron) Vol. 90 (Inside title: Makahannya-haramitsubon Vol. 78) from Ishiyama-dera in Shiga Prefecture
Calligraphy
Commentary on the Greater Sutra of the Perfection of Wisdom (Daichido-ron) Vol. 90 (Inside title: Makahannya-haramitsubon Vol. 78) from Ishiyama-dera in Shiga Prefecture
Unknown Artist, Nara period, dated 734

Handscroll converted into an "orihon" (folded book) (at Ishiyama-dera in 1787); ink on paper, with white punctuation marks and red correction marks

8th centuryJapanese
Greater Sutra of the Perfection of Wisdom (Daihannya-kyō; also known as Yakushiji-kyō), Vol. 499
Calligraphy
Greater Sutra of the Perfection of Wisdom (Daihannya-kyō; also known as Yakushiji-kyō), Vol. 499
Asano Gyoyō, Late Nara period, circa 765

Handscroll; ink on yellow-dyed paper; temple seal in darkened cinnabar red

8th centuryJapanese
Lotus Sutra (Hokke-kyō) Chapter 12: Section Describing the Enlightenment of the Dragon King's Daughter
Calligraphy
Lotus Sutra (Hokke-kyō) Chapter 12: Section Describing the Enlightenment of the Dragon King's Daughter
Unknown Artist, Nara period, late eighth century

Handscroll fragment mounted as a hanging scroll; gold on purple-dyed paper

9th centuryJapanese
Section from the Parable of the Magic City, Lotus Sutra (Hokke-kyō) Chapter 7
Calligraphy
Section from the Parable of the Magic City, Lotus Sutra (Hokke-kyō) Chapter 7
Fujiwara Michinaga, Late Heian period: written 998; dedicated 1007

Handscroll fragment; gold ink on indigo-dyed paper; excavated in 1671 at Kimbusen-ji sutra mound, Mount Yoshino, Nara prefecture

17th-20th centuryJapanese
Ichiji-butchō-rinnō-kyō vol. 3, probably from Ishiyama-dera, Shiga Prefecture
Calligraphy
Ichiji-butchō-rinnō-kyō vol. 3, probably from Ishiyama-dera, Shiga Prefecture
Unknown Artist, Early Heian period, 9th century

Handscroll; ink on paper

9th centuryJapanese
Ichiji-butchō-rinnō-kyō, probably from Ishiyama-dera, Shiga Prefecture
Calligraphy
Ichiji-butchō-rinnō-kyō, probably from Ishiyama-dera, Shiga Prefecture
Unknown Artist, Early Heian period, 9th century

Handscroll; ink on paper

9th centuryJapanese
Fragment of the Wakan Rōeishū (Yamashiro-gire)
Calligraphy
Fragment of the Wakan Rōeishū (Yamashiro-gire)
Fujiwara Sadayori, Late Heian period, late 12th century

Fragment of a book mounted as a hanging scroll; ink and vermillion marks on paper

12th centuryJapanese
Susiddhikara-mahâ-tantra-sūtra (Soshitsujikara-kyō) one of the three secret sutras translated in 724 by Subhâkarasimha (Chinese: Shanwuwei; Japanese: Zemmui)
Calligraphy
Susiddhikara-mahâ-tantra-sūtra (Soshitsujikara-kyō) one of the three secret sutras translated in 724 by Subhâkarasimha (Chinese: Shanwuwei; Japanese: Zemmui)
Unknown Artist, Kamakura period, annotated in 1221

Folded book; ink on paper with punctuation in vermilion and stamped pagoda design in earth red

13th centuryJapanese
Tale of the Pagoda Made of Sand, Text Fragment from the Illustrated "Tales of Three Jewels" (Sambō-ekotoba) from Tōdai-ji, Nara
Calligraphy
Tale of the Pagoda Made of Sand, Text Fragment from the Illustrated "Tales of Three Jewels" (Sambō-ekotoba) from Tōdai-ji, Nara
Minamoto no Toshiyori, Late Heian period, dated 1120

Two book pages mounted as an album leaf; ink on mica-coated paper

12th centuryJapanese
Section of the Gandavyūha section of the Avatamsaka-sūtra (Kegon-kyō) written over a Hakubyō Narrative Drawing (Menashi-kyō)
Calligraphy
Section of the Gandavyūha section of the Avatamsaka-sūtra (Kegon-kyō) written over a Hakubyō Narrative Drawing (Menashi-kyō)
Unknown Artist, Kamakura period, circa 1200

Handscroll fragment; ink on paper with silver guidelines

12th-13th centuryJapanese
Section Describing Maitreya's Entreaty, from Chapter 1 of the Lotus Sutra (Hokke-kyō)
Calligraphy
Section Describing Maitreya's Entreaty, from Chapter 1 of the Lotus Sutra (Hokke-kyō)
Unknown Artist, Late Heian period, circa 1150

Handscroll; ink on paper with gold and silver flakes and cut-gold guidelines

12th centuryJapanese
Sutra of Mayura (Kujaku-myōō-kyō) 3 vols.
Calligraphy
Sutra of Mayura (Kujaku-myōō-kyō) 3 vols.
Unknown Artist, Late Heian period, circa 10th-12th century

Three handscrolls; ink on paper; punctuation: light red dots; reciting: dark red

10th-12th centuryJapanese
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