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  1. Harvard Art Museums
  2. Calligraphy

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Discover artworks from the Harvard Art Museums collection

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Falling Flowers (Hanachirusato), Calligraphic Excerpt from Chapter 11 of the Tale of Genji (Genji monogatari)
Calligraphy
Falling Flowers (Hanachirusato), Calligraphic Excerpt from Chapter 11 of the Tale of Genji (Genji monogatari)
Reizei Tamehiro, Muromachi period, datable to 1509-1510

The eleventh of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
Suma, Calligraphic Excerpt from Chapter 12 of the Tale of Genji (Genji monogatari)
Calligraphy
Suma, Calligraphic Excerpt from Chapter 12 of the Tale of Genji (Genji monogatari)
Son'ō Jugō, Muromachi period, datable to 1509-1510

The twelfth of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
Akashi, Calligraphic Excerpt from Chapter 13 of the Tale of Genji (Genji monogatari)
Calligraphy
Akashi, Calligraphic Excerpt from Chapter 13 of the Tale of Genji (Genji monogatari)
Fushimi no miya Kunitaka shinnō, Muromachi period, datable to 1509-1510

The thirteenth of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
The Pilgrimage to Sumiyoshi (Miotsukushi), Calligraphic Excerpt from Chapter 14 of the Tale of Genji (Genji monogatari)
Calligraphy
The Pilgrimage to Sumiyoshi (Miotsukushi), Calligraphic Excerpt from Chapter 14 of the Tale of Genji (Genji monogatari)
Konoe Hisamichi, Muromachi period, datable to 1509-1510

The forteenth of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
A Waste of Weeds (Yomogiu), Calligraphic Excerpt from Chapter 15 of the Tale of Genji (Genji monogatari)
Calligraphy
A Waste of Weeds (Yomogiu), Calligraphic Excerpt from Chapter 15 of the Tale of Genji (Genji monogatari)
Sanjōnishi Sanetaka, Muromachi period, datable to 1509-1510

The fifteenth of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
At the Pass (Sekiya), Calligraphic Excerpt from Chapter 16 of the Tale of Genji (Genji monogatari)
Calligraphy
At the Pass (Sekiya), Calligraphic Excerpt from Chapter 16 of the Tale of Genji (Genji monogatari)
Jōhōji Kōjo, Muromachi period, datable to 1509-1510

The sixteenth of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
Wind in the Pines (Matsukaze), Calligraphic Excerpt from Chapter 18 of the Tale of Genji (Genji monogatari)
Calligraphy
Wind in the Pines (Matsukaze), Calligraphic Excerpt from Chapter 18 of the Tale of Genji (Genji monogatari)
Son'ō Jugō, Muromachi period, datable to 1509-1510

The eighteenth of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
Wisps of Cloud (Usugumo), Calligraphic Excerpt from Chapter 19 of the Tale of Genji (Genji monogatari)
Calligraphy
Wisps of Cloud (Usugumo), Calligraphic Excerpt from Chapter 19 of the Tale of Genji (Genji monogatari)
Fushimi no miya Kunitaka shinnō, Muromachi period, datable to 1509-1510

The nineteenth of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
The Bluebell (Asagao), Calligraphic Excerpt from Chapter 20 of the Tale of Genji (Genji monogatari)
Calligraphy
The Bluebell (Asagao), Calligraphic Excerpt from Chapter 20 of the Tale of Genji (Genji monogatari)
Konoe Hisamichi, Muromachi period, datable to 1509-1510

The twentieth of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
The Maidens (Otome), Calligraphic Excerpt from Chapter 21 of the Tale of Genji (Genji monogatari)
Calligraphy
The Maidens (Otome), Calligraphic Excerpt from Chapter 21 of the Tale of Genji (Genji monogatari)
Sanjōnishi Sanetaka, Muromachi period, datable to 1509-1510

The twenty-first of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
The Tendril Wreath (Tamakazura), Calligraphic Excerpt from Chapter 22 of the Tale of Genji (Genji monogatari)
Calligraphy
The Tendril Wreath (Tamakazura), Calligraphic Excerpt from Chapter 22 of the Tale of Genji (Genji monogatari)
Jōhōji Kōjo, Muromachi period, datable to 1509-1510

The twenty-second of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
The Warbler’s First Song (Hatsune), Calligraphic Excerpt from Chapter 23 of the Tale of Genji (Genji monogatari)
Calligraphy
The Warbler’s First Song (Hatsune), Calligraphic Excerpt from Chapter 23 of the Tale of Genji (Genji monogatari)
Reizei Tamehiro, Muromachi period, datable to 1509-1510

The twenty-third of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
Butterflies (Kochō), Calligraphic Excerpt from Chapter 24 of the Tale of Genji (Genji monogatari)
Calligraphy
Butterflies (Kochō), Calligraphic Excerpt from Chapter 24 of the Tale of Genji (Genji monogatari)
Son'ō Jugō, Muromachi period, datable to 1509-1510

The twenty-fourth of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
The Fireflies (Hotaru), Calligraphic Excerpt from Chapter 25 of the "Tale of Genji" (Genji monogatari)
Calligraphy
The Fireflies (Hotaru), Calligraphic Excerpt from Chapter 25 of the "Tale of Genji" (Genji monogatari)
Fushimi no miya Kunitaka shinnō, Muromachi period, datable to 1509-1510

The twenty-fifth of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
The Pink (Tokonatsu), Calligraphic Excerpt from Chapter 26 of the Tale of Genji (Genji monogatari)
Calligraphy
The Pink (Tokonatsu), Calligraphic Excerpt from Chapter 26 of the Tale of Genji (Genji monogatari)
Konoe Hisamichi, Muromachi period, datable to 1509-1510

The twenty-sixth of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
The Cressets (Kagaribi), Calligraphic Excerpt from Chapter 27 of the Tale of Genji (Genji monogatari)
Calligraphy
The Cressets (Kagaribi), Calligraphic Excerpt from Chapter 27 of the Tale of Genji (Genji monogatari)
Sanjōnishi Sanetaka, Muromachi period, datable to 1509-1510

The twenty-seventh of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
The Typhoon (Nowaki), Calligraphic Excerpt from Chapter 28 of the Tale of Genji (Genji monogatari)
Calligraphy
The Typhoon (Nowaki), Calligraphic Excerpt from Chapter 28 of the Tale of Genji (Genji monogatari)
Son'ō Jugō, Muromachi period, datable to 1509-1510

The twenty-eighth of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
The Imperial Progress (Miyuki), Calligraphic Excerpt from Chapter 29 of the Tale of Genji (Genji monogatari)
Calligraphy
The Imperial Progress (Miyuki), Calligraphic Excerpt from Chapter 29 of the Tale of Genji (Genji monogatari)
Reizei Tamehiro, Muromachi period, datable to 1509-1510

The twenty-nineth of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
Thoroughwort Flowers (Fujibakama), Calligraphic Excerpt from Chapter 30 of the Tale of Genji (Genji monogatari)
Calligraphy
Thoroughwort Flowers (Fujibakama), Calligraphic Excerpt from Chapter 30 of the Tale of Genji (Genji monogatari)
Jōhōji Kōjo, Muromachi period, datable to 1509-1510

The thirtieth of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
The Handsome Pillar (Makibashira), Calligraphic Excerpt from Chapter 31 of the Tale of Genji (Genji monogatari)
Calligraphy
The Handsome Pillar (Makibashira), Calligraphic Excerpt from Chapter 31 of the Tale of Genji (Genji monogatari)
Sanjōnishi Sanetaka, Muromachi period, datable to 1509-1510

The thirty-first of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
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