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  1. Harvard Art Museums
  2. Calligraphy

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Discover artworks from the Harvard Art Museums collection

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Paying Frequent Homage to Eminent Priests (Shotoku sanrai)
Calligraphy
Paying Frequent Homage to Eminent Priests (Shotoku sanrai)
Sesonji Yukifusa, Muromachi period, circa 14th-16th century

Handscroll; ink on paper decorated with sunago and other grass patterns

14th-16th centuryJapanese
Illuminated firman (royal decree) with ornamental tughra of Sultan Ahmed III (r.1703-1730)
Calligraphy
Illuminated firman (royal decree) with ornamental tughra of Sultan Ahmed III (r.1703-1730)
Unknown Artist, 1721

Ink, colors and gold on paper

18th centuryOttoman
Inscription in Tughra Form
Calligraphy
Inscription in Tughra Form
Unknown Artist, 17th-18th century

Ink on paper mounted on wood panel

17th-18th centuryOttoman
Calligraphic Composition with the Name 'Ali
Calligraphy
Calligraphic Composition with the Name 'Ali
Unknown Artist, 19th-20th century

Ink and gold on paper

19th-20th centuryOttoman
Calligraphic Portrait of the Prophet Muhammad
Calligraphy
Calligraphic Portrait of the Prophet Muhammad
Unknown Artist, c. 1700-1712

Ink, color and gold on paper

18th centuryOttoman
Verses Praising the Prophet Muhammad from the Gulistan by Sa'di, calligraphic composition
Calligraphy
Verses Praising the Prophet Muhammad from the Gulistan by Sa'di, calligraphic composition
Unknown Artist, 19th century

Ink on paper

19th centuryOttoman
Calligraphic Emblem of  `Ali Jinab Navab Sahib Mustafa `Ali Khan Sahib Bahador
Calligraphy
Calligraphic Emblem of `Ali Jinab Navab Sahib Mustafa `Ali Khan Sahib Bahador
Unknown Artist, 19th century

Ink and opaque watercolor on paper

Islamic
Wood Panel of Calligraphy
Calligraphy
Wood Panel of Calligraphy
Unknown Artist, 1758-1759

Pigment and gold on wood

18th centuryOttoman
Inscription with Architectural and Floral Motifs
Calligraphy
Inscription with Architectural and Floral Motifs
Unknown Artist, late 19th century

Painted wood panel with leather trim

19th centuryOttoman
Vertical Wooden Panel: The Shrines of Arabia with Calligraphy
Calligraphy
Vertical Wooden Panel: The Shrines of Arabia with Calligraphy
Unknown Artist, 19th century

Paint on framed wood panel

19th centuryOttoman
The Paulownia Pavilion (Kiritsubo), Calligraphic Excerpt from Chapter 1 of the Tale of Genji (Genji monogatari)
Calligraphy
The Paulownia Pavilion (Kiritsubo), Calligraphic Excerpt from Chapter 1 of the Tale of Genji (Genji monogatari)
Fushimi no miya Kunitaka shinnō, Muromachi period, datable to 1509-1510

The first of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
The Broom Tree (Hahakigi), Calligraphic Excerpt from Chapter 2 of the Tale of Genji (Genji monogatari)
Calligraphy
The Broom Tree (Hahakigi), Calligraphic Excerpt from Chapter 2 of the Tale of Genji (Genji monogatari)
Konoe Hisamichi, Muromachi period, datable to 1509-1510

The second of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
The Cicada Shell (Utsusemi), Calligraphic Excerpt from Chapter 3 of the Tale of Genji (Genji monogatari)
Calligraphy
The Cicada Shell (Utsusemi), Calligraphic Excerpt from Chapter 3 of the Tale of Genji (Genji monogatari)
Sanjōnishi Sanetaka, Muromachi period, datable to 1509-1510

The third of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
The Twilight Beauty (Yūgao), Calligraphic Excerpt from Chapter 4 of the Tale of Genji (Genji monogatari)
Calligraphy
The Twilight Beauty (Yūgao), Calligraphic Excerpt from Chapter 4 of the Tale of Genji (Genji monogatari)
Jōhōji Kōjo, Muromachi period, datable to 1509-1510

The fourth of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
Young Murasaki (Wakamurasaki), Calligraphic Excerpt from Chapter 5 of the Tale of Genji (Genji monogatari)
Calligraphy
Young Murasaki (Wakamurasaki), Calligraphic Excerpt from Chapter 5 of the Tale of Genji (Genji monogatari)
Reizei Tamehiro, Muromachi period, datable to 1509-1510

The fifth of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
The Safflower (Suetsumuhana), Calligraphic Excerpt from Chapter 6 of the Tale of Genji (Genji monogatari)
Calligraphy
The Safflower (Suetsumuhana), Calligraphic Excerpt from Chapter 6 of the Tale of Genji (Genji monogatari)
Son'ō Jugō, Muromachi period, datable to 1509-1510

The sixth of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
Beneath the Autumn Leaves (Momiji no Ga), Calligraphic Excerpt from Chapter 7 of the Tale of Genji (Genji monogatari)
Calligraphy
Beneath the Autumn Leaves (Momiji no Ga), Calligraphic Excerpt from Chapter 7 of the Tale of Genji (Genji monogatari)
Fushimi no miya Kunitaka shinnō, Muromachi period, datable to 1509-1510

The seventh of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
Under the Cherry Blossoms (Hana no En), Calligraphic Excerpt from Chapter 8 of the Tale of Genji (Genji monogatari)
Calligraphy
Under the Cherry Blossoms (Hana no En), Calligraphic Excerpt from Chapter 8 of the Tale of Genji (Genji monogatari)
Konoe Hisamichi, Muromachi period, datable to 1509-1510

The eighth of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
Heart-to-Heart (Aoi), Calligraphic Excerpt from Chapter 9 of the Tale of Genji (Genji monogatari)
Calligraphy
Heart-to-Heart (Aoi), Calligraphic Excerpt from Chapter 9 of the Tale of Genji (Genji monogatari)
Sanjōnishi Sanetaka, Muromachi period, datable to 1509-1510

The ninth of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
The Green Branch (Sakaki), Calligraphic Excerpt from Chapter 10 of the Tale of Genji (Genji monogatari)
Calligraphy
The Green Branch (Sakaki), Calligraphic Excerpt from Chapter 10 of the Tale of Genji (Genji monogatari)
Jōhōji Kōjo, Muromachi period, datable to 1509-1510

The tenth of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper

16th centuryJapanese
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