Family Seated in Front of a Screen

Maki Haku, Shōwa period, 1969

Poem 69-8

Woodblock print; ink and color on embossed paper

Fuji with a Belt (Untai Fuji): Detached page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 1

Katsushika Hokusai 葛飾北斎, Edo period, 1834 (Tempō 5)

Ukiyo-e woodblock-printed book page; ink on paper

Lobster (Ise ebi) and Prawn (Ama ebi), from the series A Shoal of Fishes (Uo-zukushi)

Utagawa Hiroshige 歌川広重, 20th century

Woodblock print; ink and color on paper

Finding Moronao in the Storage/ Act 11 (Jūichi dan me), from the series The Treasury of Loyal Retainers (Kanadehon chūshingura)

Katsushika Hokusai 葛飾北斎, Edo period,

Ukiyo-e woodblock print in "chūban" format; Ink and color on paper

The Six States of Woman (Six Courtesans Representing Six Poets)

Katsushika Hokusai 葛飾北斎, Edo period, 1798

Ukiyo-e woodblock-printed surimono in "yoko-chūban" format; ink, color and metallic pigment on paper

Left panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

Japanese

Kuwana: Shichiri Crossing (Kuwana, Shichiri watashiguchi), from the series Fifty-three Stations of the Tōkaidō (Tōkaidō gojūsan tsugi no uchi), also known as the First Tōkaidō or Great Tōkaidō

Utagawa Hiroshige 歌川広重, c. 1833-34

Woodblock print (nishiki-e); ink and color on paper

Stencil for Illustrated Don Quixote (Ehon Don Kihōte)

Serizawa Keisuke, Shōwa period, published in 1936

Paper stencils

Christ of the Miracle of Loaves and Fish

Watanabe Sadao 渡辺禎雄, Shōwa period, dated 1963

Woodblock print; ink and color on paper

A Good Time for the First Calligraphy (Fude hajime yoshi), from the series Series for the Hanazono Group (Hanazono bantsuzuki)

Totoya Hokkei 魚屋北渓, c. 1824 (Bunsei 7)

Woodblock print (surimono); ink, color, and metallic pigments on paper

CALENDAR FOR 1955, MADE UP OF 12 SHEETS

Serizawa Keisuke, 20th century