PrintsJapanese
Modern Toba-e (Toba-e ichiryu), Vol. 5
Dimensions
20.8 x 32.2 cm (8 3/16 x 12 11/16 in.)
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Poet Mibu no Tadami from page 18A of the printed book of "Thirty-Six Immortal Poets" (Sanjūrokkasen), Kōetsu edition
Hon'ami Kōetsu 本阿弥光悦, Momoyama period, published circa 1610
Page 18A of a thread-bound woodblock-printed book with paper cover; ink on paper
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Descending Geese for Bunshichi (Bunshichi no rakugan), from the series Eight Views of Elegant Gallants (Furyū otokodate hakkei)
Katsushika Hokusai 葛飾北斎, c. 1781-1789
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Utagawa Kuniyoshi 歌川国芳
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The courtesans Koi Murasaki and Hana Murasaki of the Kado Tama House from the printed album "A Competition Among the New Beauties of the Yoshiwara Mirrored in Their Writing" (Yoshiwara keisei shin bijin awase jihitsu kagami)
Kitao Masanobu 北尾政演, Mid Edo period, 1784
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Goddess Konohana Sakuyahime (Konohana Sakuyahime no mikoto), detached page from One Hundred Views of Mount Fuji (Fugaku hyakkei), vol. 1
Katsushika Hokusai 葛飾北斎, Edo period, 1834 (Tenpō 5)
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The Capture of Kidomaru by Minamoto no Raikō (Minamoto no Yorimitsu; Kidōmaru)
Utagawa Kuniyoshi 歌川国芳, Late Edo period, 19th century
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Moon Pine, Ueno (Ueno sannai Tsuki no matsu), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)
Utagawa Hiroshige 歌川広重, 1857 (Ansei 4), 8th month
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Hamagawa, from the series Pilgrimages to Enoshima
Totoya Hokkei 魚屋北渓
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Title Sheet for the series Eimei nijūhachi-shūku
Tsukioka Yoshitoshi 月岡芳年, Meiji period, 1867
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Katsukawa Shunshō 勝川春章, 18th century
Ukiyo-e woodblock print; ink and color on paper
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Nichiren Calming the Sea on the Way to Exile in Sado, from the series Biography of Saint Nichiren (Nichiren shonin goichidaiki)
Katsushika Hokui 葛飾北為, c. 1830-1840
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Mori Yoshitoshi, Shōwa period, dated 1964
Woodblock print; ink and color on paper
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