1562
Bahram Gur, a son of Yazdigird III, took his slave girl, a harpist named Azada, on a hunt. As they rode together on his camel, Azada challenged Bahram to do the seemingly impossible: to transform a male gazelle into a female and a female into a male, and to pierce a gazelle’s foot and ear with a single shot. Bahram immediately shot the horns from a buck and sent two arrows into the head of doe; he then grazed a third gazelle’s ear with a stone and, when the animal scratched the nick, pinned its leg to its ear with one arrow. The artist of the painting has departed from the text, showing a harp-playing Azada, by herself on a camel, watching Bahram Gur hunt on horseback. Between them are a “horned” doe and an unfortunate buck shot through leg and ear. A large hunting party, uncalled for by the text, can be seen in the background, witnessing Bahram’s prowess.
37.2 x 24 cm (14 5/8 x 9 7/16 in.)
[Christies, London, 17 October 1995, lot no. 79]. [Mansour Gallery, London, before 1998], sold; to Stanford and Norma Jean Calderwood, Belmont, MA (by 1998-2002), gift; to Harvard Art Museums, 2002.
Ink, colors, and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk, colors, and gold on paper
16th centuryPersianInk, colors, and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk, colors, and gold on paper
16th centuryPersianInk, opaque watercolor, gold and silver on paper
16th centuryPersianBlack ink, opaque watercolor, and gold on off-white paper, with underdrawing in red ink
16th-17th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk, colors, and gold on paper
16th centuryPersianInk and gold on paper
15th-16th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersian