PrintsJapanese19th century

Fuji under a Sluice (Kakehi no Fuji): Half of detatched page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 2

Edo period, 1835 (Tempō 6)

Artists

Katsushika Hokusai 葛飾北斎Artist

Classification

Prints

Medium

Ukiyo-e woodblock-printed book page; ink on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

Paper: H. 22.8 cm x W. 12.9 cm (9 x 5 1/16 in.) FOLDED

Related Artworks

Prints

Washing the Manuscript, from the series Refined Beauties as the Seven Komachi (Fūryū bijin nana Komachi: Soshi arai Komachi)

Kikugawa Eizan 菊川英山, circa 1804

Woodblock print; ink and color on paper

Ukiyo-e woodblock-printed "surimono"; ink and color on paper

19th centuryJapanese

Prints

Print commissioned by the Grolier Club of New York for an exhibition of Japanese prints in April of 1896

Unknown Artist, 19th century

Woodblock print: ink and color on paper

19th centuryJapanese

Prints

Act Three from the series Treasury of Loyal Retainers (Chūshingura: San danme)

Katsukawa Shun'ei 勝川春英, Edo period, late 18th to early 19th century

Ukiyo-e woodblock print in "chūban" format; ink and color on paper, with printed signature reading "Shun'ei ga"

18th-19th centuryJapanese

Prints

MANDARIN DUCKS AND BEGONIA FLOWERS

Utagawa Hiroshige 歌川広重, 19th century

Ink on paper

19th centuryJapanese

Prints

Mokuboji Temple, Uchigawa Inlet, Gozensaihata (Mokuboji Uchigawa Gozensaihata), Number 92 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Utagawa Hiroshige 歌川広重, Edo period, dated 1857 (12th month)

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

19th centuryJapanese

Prints

Triptych: Sergeant Kawasaki Crosses the River Daidōkō Alone (Kawasaki gunsō tanshin Daidōkō o wataru)

Mizuno Toshikata, Meiji period, dated 1894

Incomplete woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese

Prints

Dragonfly and Morning Glory

Keiri, Late Edo period, dated 1840

Ink

19th centuryJapanese

Prints

Triptych: Great Victory for the Japanese Army at P'yōng Yang (Nichigun Heijō taisho no zu)

Ogata Gekkō, Meiji period, dated 1894

Woodblock printed "ōban"-sized triptych; ink and color on paper

19th centuryJapanese

Prints

No. 2, 3, and 4 from the series The Boulder Door of Spring (Haru no iwato)

Totoya Hokkei 魚屋北渓, 1825

Woodblock print (ukiyo-e, surimono); ink, color, and metallic pigments on paper

19th centuryJapanese

Prints

Ōe no Takachika (Chomonjū), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchō Circle (Honchōren honchō nijūshikō), with poem by Utsunoya Makikata

Yashima Gakutei 八島岳亭, Edo period, circa 1821-1822

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; ink, color and metallic pigment on paper, with printed signature reading "Gakutei"

19th centuryJapanese

Prints

Li Qi (J: Riki)/ Metal (Kane), from the series Five Elements of the Tale of the Water Margins (Suiko gogyō), with poems by Seiyōkan Umeyo (Baise) and Kagendō Tsugiho

Totoya Hokkei 魚屋北渓, Edo period, probably 1832

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; ink, color and metallic pigment on paper, with printed signature reading "Go Hokkei"

19th centuryJapanese