1676- 1677
Oval, elaborately embossed and chased in high relief with an oval scene depicting Hercules drawing his bow on the centaur Nessus, who carries away his wife Deianira, enclosed by a broad border pierced and chased with large flowers amid foliate scrolls. This dish is an example of highly decorated silver popular in London during the Restoration period. Such spectacular objects were made solely for display, to demonstrate the wealth and prestige of the owner. Most were the work of immigrant craftsmen from continental Europe, and this example bears the mark of the German-born goldsmith Jacob Bodendeich. The central scene, illustrating a passage in Ovid's "Metamorphoses," is derived from a frequently republished mid-sixteenth-century engraving by Bernard Solomon. Bodendeich, who worked in the tradition of bold floral and auricular chasing and molding, evidently ran a sizeable workshop. The differences in handling of various parts of this dish suggest that more than one goldsmith contributed to its realization.
34.9 x 44.8 x 3.5 cm (13 3/4 x 17 5/8 x 1 3/8 in.) 1072 g
Dame Mabel Brookes, D.B.E., sold [through Christie's, London, March 31, 1971, lot 124]. Private Collector, Australia. [Koopman Rare Art, Ltd., London], sold; to Harvard Art Museums, 2003.
Gray stoneware with incised and stamped decoration and with splashes of natural ash glaze. Reportedly recovered in Kyŏngju, North Kyŏngsang province.
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5th century BCEGreekLeaded bronze
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12th-13th centuryPersianBlack painted under turquoise glaze
20th centuryAmericanEarthenware
6th millennium BCEChineseSilver
19th centuryAmericanSilver
18th centuryBritishQingbai ware: porcelain with pale sky-blue glaze
12th-13th centuryChineseCopper alloy
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10th centuryChinese