PrintsJapanese19th century

Rough Sketch of the Lighthouse of Chōshi Harbor in Shimōsa (Sōshū Chōshikō tōdai ryakuzu)

Meiji period, late 19th century

Artists

Yōsai Kuniteru II 曜斎国輝Artist

Classification

Prints

Medium

Right panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

Culture

Japanese

Period

Meiji era, 1868-1912

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

paper: H. 37.1 x W. 25.5 cm (14 5/8 x 10 1/16 in.)

Related Artworks

Prints

Contemporary Famous Happenings (Kinsei kisekikō), Vol. 1, with designs by Kita Busei (1776-1856)

Kitao Masanobu 北尾政演, Late Edo period, dated 1804 (1st Year of the Bunka Era)

First of a set of 5 ukiyo-e woodblock-printed books; ink and color on paper

19th centuryJapanese

Prints

The Final Agony of the Dictator Taira no Kiyomori: His Vision of the Flaming Chariot of Hell

Utagawa Kunisada 歌川国貞, Late Edo period, 1858

Woodblock print, ink and color on paper

19th centuryJapanese

Prints

Itahana, Station 15 from the series "Sixty-Nine Stations of the Kisokaidō" (Kisokaidō rokujūkyūtsugi no uchi)

Keisai Eisen 渓斎英泉, Edo period, circa late 1830s

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

19th centuryJapanese

Prints

Port of London England (Igirisu Rondon no kaikō), from the series Complete Enumeration of Scenic Places in Foreign Nations (Bankoku meisho zukushi no uchi), published by Yamadaya Shōjirō

Utagawa Yoshitomi, Late Edo period, second month of 1862

Left sheet from a Yokohama woodblock-printed "ōban" triptych; ink and color on paper, with printed signature reading "Yoshitora ga"

19th centuryJapanese

Prints

Fireworks at Ryōgoku

Kobayashi Kiyochika 小林清親, 1880 (Meiji 13)

Woodblock print (nishiki-e): ink and color on paper

19th centuryJapanese

Prints

Fond of Children (Kodomo-zuki), from the series Eight Views of Favorite Things of Today (Tosei kobutsu hakkei)

Kitagawa Utamaro 喜多川歌麿, Late Edo period, circa 1801-1802

Ukiyo-e woodblock print in "ōban" format; ink and color on paper, with printed signature reading "Utamaro hitsu"

19th centuryJapanese

Prints

Woman Cutting an Iris Leaf Arrow

Harukawa Goshichi (Kamiya Hōshū), mid-1820s

Woodblock print (surimono); ink, color, and metallic pigments on paper

19th centuryJapanese

Prints

American Merchant Admiring Miniature Cherry Tree He Just Acquired, published by Moriya Jihei

Utagawa Sadahide, Late Edo period, second month of 1861

Yokohama woodblock print in ōban format; ink and color on paper

19th centuryJapanese

Prints

Act Seven from the series Treasury of Loyal Retainers (Chūshingura: Shichi danme)

Utagawa Hiroshige 歌川広重, Late Edo period, circa 1843-1845

Ukiyo-e woodblock print in "yokoban" format; ink and color on paper

19th centuryJapanese

Prints

Triptych: Sumō Wrestling Tournament (Kanzin ōsumō torikumi no zu)

Utagawa Kunisada 歌川国貞, Late Edo period, 1858

Right panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper

19th centuryJapanese

Prints

Mountains Upon Mountains (Yama mata yama): Detached page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 1

Katsushika Hokusai 葛飾北斎, Edo period, 1834 (Tempō 5)

Ukiyo-e woodblock-printed book page; ink on paper

19th centuryJapanese

Prints

Minamoto Tametomo, from the series The Unofficial History of Japan (Nihon gaishi no uchi)

Kobayashi Kiyochika 小林清親, 1884 (Meiji 17)

Woodblock print (nishiki-e): ink, color, and metallic pigments on paper

19th centuryJapanese