400 BCE-300 BCE
Buff fabric with highly lustrous black slip. On the exterior of the cup, large palmettes flanked by spirals occupy the space below the cup's squared loop handles. On the front and back of the exterior are identical pairs of youths wearing fillets and standing to face each other. The youth on the right wears a cloak over his left shoulder and holds a strigil in his extended right hand. The youth on the left is nude and holds a branch in his left hand and a strigil in his right. On the interior of the cup, the tondo is framed by a circular maeander and cross band. Within this, two nude youths face each other with a small tree between them. The one on the left holds a wreath in his right hand and grasps the trunk of the tree in his left. The one on the right holds a wreath up in his right hand and a club in his left. The lip of the vessel is defined by a thin red strip. Reconstructed from several fragments.
10 x 24.25 cm (3 15/16 x 9 9/16 in.)
Two Etruscan Kylikes (2007.104.1 and 2), one black-figure, one Six's Technique: Purchased from Dr. Herbert Cahn, Basel, March 1966.
Light gray stoneware with light grayish-blue glaze over openwork decoration. Made in northeastern Korea, probably in Hoeryŏng-gun, possibly in Myŏngch'ŏn-gun, North Hamgyŏng province.
19th centuryKoreanSilver
18th centuryBritishGlass
2nd-4th century CERomanGlass
ItalianTerracotta
Punch'ŏng ware: light gray stoneware with pale celadon glaze over decoration painted in iron-brown slip on the white-slip ground; the foot dressed with iron-brown slip
16th centuryKoreanEnameled porcelain: porcelain with overglaze yellow enamel
19th centuryChineseGlass
RomanEnameled porcelain: porcelain with decoration painted in overglaze red enamel; with spurious overglaze red enamel mark reading "Da Qing Yongzheng nian zhi" on the base
18th centuryChineseEnamel on copper with silver gilt mounts
16th centuryFrenchCeramic
20th centuryDanish