early-mid 20th century
This small, rectangular album leaf depicts a landscape with several houses nestled behind a grove trees in the left foreground; in the right foreground, a scholar seated astride a donkey and trailed by an attendant carrying a parcel--probably a cabana--rides toward the houses. A lake occupies the painting's middle ground; low, rolling hills topped by deciduous trees separate the far edge of the middle ground from the background, which features distant mountains. Written in four columns, the artist's inscription appears in the upper right corner. Two seals of the artist accompany the inscription: a rectangular, red, intaglio seal appears at the beginning of the inscription, and a square, red, relief seal reading "Tu San" (the artist's sobriquet) appears at the end.
painting proper: H. 28.6 x W. 23.4 cm (11 1/4 x 9 3/16 in.)
Byung S. and Keum-ja Kang, New York (by 2006), gift; to Harvard University Art Museums, 2006.
Hanging scroll; ink and colors on paper; with inscription, signature, and one seal of the artist
20th centuryKoreanHanging scroll; ink and color on paper, with inscription and signature reading "Yu San" and with three seals of the artist
20th centuryKoreanHanging scroll; ink and colors on paper; with signature of the artist reading "Paek-kye sa"; with two seals of the artist, the lower of which is square, red, intaglio and reads "Paek Kye Hwa Ki"
20th centuryKoreanRight panel of a two-panel folding screen; ink and colors on ivory-toned paper; with a seal of th artist reading "Ki Ch'ang"
20th centuryKoreanSketch, underdrawing, or preliminary drawing for a Buddhist painting, now framed; ink and light colors on paper
18th-20th centuryKoreanHanging scroll; ink and light colors on paper; with signature of the artist reading "I-tang sa"; with three seals of the artist
20th centuryKoreanLeft panel of a two-panel folding screen; ink and colors on ivory-toned paper; with a seal of the artist reading "Pak Rae-hyŏn in"
20th centuryKoreanHanging scroll; ink on silk; with artist inscription, signature reading "So-ho che," and his three seals; additional inscriptions, signatures, and seals of three other individuals
20th centuryKoreanEight-panel folding screen; ink on sky-blue tinted paper; each of the eight paintings with artist's inscription followed by a signature reading "Soho" (Chinese, "Xiaohu"); the first (i.e., far right) painting also with a signature of the artist reading "Kim Ŭng-wŏn"; each inscription preceded by an elongated elliptical red seal and each signature followed by two red seals, all the seals now virtually obliterated through abrasion
19th-20th centuryKoreanEight-panel folding screen; ink and color on silk
20th centuryKoreanHanging scroll; ink on silk; with artist inscription, signature reading "So-ho," and three seals reading "Kim Ŭng-wŏn in", "So-ho", and "Ch'ŏn-ram"
19th-20th centuryKoreanInk and bright color on paper; with date and signature of the artist reading "Yu San [written in Hangul script] '99"
20th centuryKorean