19th century
This is an example of a rarefied and extremely painstaking genre of calligraphy in which a dried leaf was used for the support. In this case, the leaf appears to be from a horse chestnut tree. Written in a majestic thuluth, the Arabic inscription is beautifully composed in an oval to fill the lower and broader part of the leaf. Most Ottoman leaf calligraphies employ gold ink. Microscopic examination of this leaf revealed no pigment whatsoever, which may explain its extremely fragile condition.
21.5 x 10.7 cm (8 7/16 x 4 3/16 in.)
Ink on paper
13th centuryJapaneseAlbum leaf; ink on paper
ChineseInk on paper
ChineseThe twenty-second of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper
16th centuryJapaneseHandscroll converted into an "orihon" (folded book) (at Ishiyama-dera in 1787); ink on paper, with white punctuation marks and red correction marks
8th centuryJapaneseSecond of two thread-bound manuscript volumes; ink on color-dyed paper ornamented with silver and gold ink
17th centuryJapaneseInk on paper
ChineseAlbum leaf; ink on paper
ChineseHandscroll; ink on decorated paper with designs in gold and silver, and sunago
17th-18th centuryJapaneseInk on paper
13th centuryJapaneseInk on paper
13th centuryJapanese42nd of a set of 54 thread-bound books; ink on paper
17th-18th centuryJapanese