19th century
This is an example of a rarefied and extremely painstaking genre of calligraphy in which a dried leaf was used for the support. In this case, the leaf appears to be from a horse chestnut tree. Written in a majestic thuluth, the Arabic inscription is beautifully composed in an oval to fill the lower and broader part of the leaf. Most Ottoman leaf calligraphies employ gold ink. Microscopic examination of this leaf revealed no pigment whatsoever, which may explain its extremely fragile condition.
21.5 x 10.7 cm (8 7/16 x 4 3/16 in.)
Handscroll; ink on decorated paper with designs in gold and silver, and sunago
17th-18th centuryJapaneseOne of a pair of hanging scrolls now mounted as the third and fourth panels of a ten-panel folding screen; ink on paper decorated with seven dragon-and-pearl roundels interspersed with designs of flying bats and scrolling clouds, the decorations all painted in ink; with signature reading "Sŏk-ch'on Cho-su"; with two seals of the artist reading "Yun Yong Ku In" and "Yŏk Su Hŏn"
19th-20th centuryKorean23rd of a set of 54 thread-bound books; ink on paper
17th-18th centuryJapanese38th of a set of 54 thread-bound books; ink on paper
17th-18th centuryJapaneseInk on paper
ChineseThe fifty-fourth of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper
16th centuryJapaneseSet of 54 thread-bound books; ink on paper
17th-18th centuryJapaneseThe forty-second of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper
16th centuryJapaneseUnmounted handscroll fragment; ink on paper
12th-14th centuryJapaneseInk on paper
19th centuryOttomanHandscroll; ink on decorated paper with gold and silver
17th centuryJapaneseThe forty-fifth of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper
16th centuryJapanese