19th century
This is an example of a rarefied and extremely painstaking genre of calligraphy in which a dried leaf was used for the support. In this case, the leaf appears to be from a horse chestnut tree. Written in a majestic thuluth, the Arabic inscription is beautifully composed in an oval to fill the lower and broader part of the leaf. Most Ottoman leaf calligraphies employ gold ink. Microscopic examination of this leaf revealed no pigment whatsoever, which may explain its extremely fragile condition.
21.5 x 10.7 cm (8 7/16 x 4 3/16 in.)
The eighteenth of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper
16th centuryJapaneseThe twelfth of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper
16th centuryJapanese29th of a set of 54 thread-bound books; ink on paper
17th-18th centuryJapaneseHandscroll; gold pigment on indigo-dyed paper
17th-18th centuryJapaneseInk on paper
Chinese52nd of a set of 54 thread-bound books; ink on paper
17th-18th centuryJapaneseTwenty manuscript books; ink on paper, with cover paintings in gold pigment on indigo-dyed paper
17th centuryJapanese45th of a set of 54 thread-bound books; ink on paper
17th-18th centuryJapaneseHanging scroll; ink on paper
18th centuryJapaneseHandscroll; ink on paper
17th-19th centuryJapaneseHanging scroll; ink on paper
Chinese