19th century
This is an example of a rarefied and extremely painstaking genre of calligraphy in which a dried leaf was used for the support. In this case, the leaf appears to be from a horse chestnut tree. Written in a majestic thuluth, the Arabic inscription is beautifully composed in an oval to fill the lower and broader part of the leaf. Most Ottoman leaf calligraphies employ gold ink. Microscopic examination of this leaf revealed no pigment whatsoever, which may explain its extremely fragile condition.
21.5 x 10.7 cm (8 7/16 x 4 3/16 in.)
The third of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper
16th centuryJapaneseTwelve manuscript books; thread-bound, ink on paper with covers, gold designs on blue paper
17th-18th centuryJapanese6th of a set of 54 thread-bound books; ink on paper
17th-18th centuryJapaneseInk on paper
ChineseAlbum leaf; ink on paper
ChineseThe eighth of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper
16th centuryJapaneseChinese ink on paper
21st centuryAmericanHandscroll; ink on paper decorated with gold and silver sunago, other patterns
17th centuryJapaneseInk on paper
13th centuryJapaneseThe thirty-sixth of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper
16th centuryJapaneseHandscroll; ink on decorated paper with gold and silver cloud patterns
14th centuryJapaneseInk on paper
Chinese