19th century
This is an example of a rarefied and extremely painstaking genre of calligraphy in which a dried leaf was used for the support. In this case, the leaf appears to be from a horse chestnut tree. Written in a majestic thuluth, the Arabic inscription is beautifully composed in an oval to fill the lower and broader part of the leaf. Most Ottoman leaf calligraphies employ gold ink. Microscopic examination of this leaf revealed no pigment whatsoever, which may explain its extremely fragile condition.
21.5 x 10.7 cm (8 7/16 x 4 3/16 in.)
12th of a set of 54 thread-bound books; ink on paper
17th-18th centuryJapaneseHandscroll; ink on paper with sunago (gold and silver flakes); gold guide lines
12th-14th centuryJapaneseHandscroll fragment; gold ink on indigo-dyed paper; excavated in 1671 at Kimbusen-ji sutra mound, Mount Yoshino, Nara prefecture
17th-20th centuryJapaneseInk on paper
13th centuryJapaneseThe fifteenth of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper
16th centuryJapaneseThe twenty-eighth of a series of 54 kotobagaki (calligraphic album leaves) mounted in an album with illustrations; ink and color on paper
16th centuryJapaneseHandscroll; ink on decorated paper
17th centuryJapaneseInk on paper
13th centuryJapaneseTwelve manuscript books; thread-bound, ink on paper with covers, gold designs on blue paper
17th-18th centuryJapaneseInk on paper
13th centuryJapaneseInk on paper
ChineseInk on paper
20th centuryJapanese