c. 1810
The fish is painted in the center of the page, and from a bird’s-eye view. It is teardrop shaped, with a round head and tapering tail. The fish has two round eyes and a curved, triangular snout. It has a continuous row of lateral fins that extend the entire length of the body and taper into the tail. It is light brown in color with some mottling. The page has inscriptions in ink and pencil the lower third of the composition. One inscription identifies the fish as “Pan”, which most likely is referring to Brachirus pan, a type of sole native to the Indo-Pacific. This work falls into the genre of natural history documentation, an important enterprise undertaken by many European patrons during their time in India. This genre proliferated between the late eighteenth and early nineteenth century, and demonstrate the artist's intention of making quick studies from life. Individual paintings were collected to form an album that documented a variety of animals and plants, thus acting, in a way, as a field guide. Company School.
28.58 x 48.26 cm (11 1/4 x 19 in.)
Graphite on off-white wove paper
19th centuryAmericanGraphite on off-white wove paper
19th-20th centuryCanadianBrown ink on cream modern laid paper
19th centurySpanishBlack and brown ink with brown wash, on cream wove paper, framing lines in black and red ink
19th centuryFrenchUnbound sketches: 5 monochromes, 4 polychromes; ink and color on paper
19th centuryJapaneseWatercolor and white gouache over graphite on heavy cream wove paper
19th centuryAmericanWatercolor and gouache on blue wove paper
19th-20th centuryBritishGraphite on off-white wove paper
19th centuryAmericanWatercolor over graphite on off-white wove paper
19th centuryAmericanGraphite and white chalk on blue laid paper
19th centuryAmericanBlack and colored chalks on buff laid paper
19th centuryFrench