1900-1700 BCE
This fragment of a handmade terracotta figurine preserves the body of a nude, anthropomorphic female figure. There is a clean break (or cut?) at the neck. Short stub arms project to either side of the body. The body is “violin-shaped,” with rounded hips widening slightly. The figure’s navel is indicated by an applied pellet with a central indentation. Below this, three horizontal lines composed of incised, short vertical hatch marks, perhaps made by rouletting or by combing, indicate the figure’s pubic area. A vertical groove delineates the legs. The figurine terminates around the level of knees with a break (clean, perhaps cut). The back of the figurine is flat and undecorated, except for the groove that delineates the legs. Clay fabric: Munsell 10YR 7/4 very pale brown (at the neck break) to 7.5YR 7/3 pink (at the leg break). Small, angular brown grits and frequent small to medium voids. N.B. it is difficult to tell if the coloration at the breaks is due to the fabric color or to alterations due to previous fills or adhesives.
H. 7.1 × W. 5.2 × D. 1.2 cm (2 13/16 × 2 1/16 × 1/2 in.)
[Asfar Bros., St. George Hotel, Beirut, Lebanon (by 1964)], purchase; by Nanette B Kelekian, New York (1964-2021), bequest; to the Harvard Art Museums.
Plaster
19th centuryItalianProbably from Kunduz, Afghanistan
2nd-3rd century CEAfghanBronze
20th centuryAmericanPlaster
19th centuryItalianCopper alloy
5th-4th century BCEItalicPlaster
18th centuryBritishTerracotta, mold made
2nd millennium BCEMesopotamianBronze with black over brown patina
19th centuryFrenchTerracotta
Sandstone with faint traces of pigment; from Tianlongshan Cave 3, near Taiyuan, Shanxi province
6th centuryChineseTerracotta
Bronze
20th centuryAmerican