album early 17th century, painting, c. 1590-1600, calligraphy c. 1535-1545
Once part of an album assembled for most likely the Mughal ruler Jahangir (r. 1605–1627) or his son and successor Shah Jahan (r. 1628–1658), this page contains a Mughal painting by a renowned court painter, Keshav Das, depicting a seated woman in European dress in a bucolic landscape. It would have been painted after a European engraving, but by rendering the figure with locally meaningful accoutrements—a herding stick and a blue-and-white pouring vessel (kendi) in the shape of a bird—the Hindu painter has reinterpreted the European model of a Greco-Roman goddess as an Indian female cowherd (gopi) linked to the iconography of the Hindu god Krishna and his devoted gopis. Adorning the painting are verses extracted from different poems by Persian poets including the celebrated Jami and Nizami. Written in black nasta‘liq script within cloud bands, the calligraphic specimens are arranged in an illuminated frame comprised of an inner layer of small calligraphy and an outer layer of large calligraphy. The latter, attributed to the eminent nasta‘liq master Mir ‘Ali Haravi who also composed the text in the top and bottom bands, is written on buff-colored marbled paper and the gold ground is decorated with polychrome floral scrolls. The borders of the album page are decorated with finely painted gold floral illumination on blue paper, a design similar to those found in a number of famous Mughal royal albums.
Page: H. 40 × W. 26.4 cm (15 3/4 × 10 3/8 in.) Calligraphic frame: H. 20.6 × W. 14.9 cm (8 1/8 × 5 7/8 in.) Painting: H. 12.6 × W. 6.3 cm (4 15/16 × 2 1/2 in.)
[Hassan Khan Monif, New York (by 1968)]. C. Adrian Rübel, Boston (by 1978), by descent; to his daughter, Adrienne Rubel Mohrig, Northfield, Minnesota (1978-2023), gift; to the Harvard Art Museums. Note: C. (Charles) Adrian Rübel (1903-1978, Harvard Class of 1926)
Ink, opaque watercolor and gold on paper
18th-19th centuryIndianOpaque watercolor on paper
16th centuryPersianOpaque watercolor on paper
17th-18th centuryOttomanInk, opaque watercolor and gold on paper
15th-17th centuryPersianInk, opaque watercolor and gold on paper
18th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianGreen and red inks and graphite on off-white wove paper (recto); Top: red ink with touches of brown ink and graphite on off-white laid paper; pricked and verso rubbed with charcoal; Middle: graphite on blue wove paper; Bottom: black ink and black wash over graphite on off-white laid paper, pricked (verso)
19th centuryPersianInk, opaque watercolor and gold on paper
19th centuryOttomanInk, opaque watercolor and gold on paper
16th centuryPersianOpaque watercolor, marbling, and gold on paper
17th centuryIndianOpaque watercolor and gold on paper; Pahari Style, Kangra School
18th-19th centuryIndianPalm leaf
Singhalese