c. 500 BCE
This black-figure amphora (storage jar) depicts two mythological scenes, each with a protagonist at home in the sea. On one side, the sea god Poseidon, trident in hand and naked but for a mantle slung over his shoulders, attacks two helmeted warriors with shields, who seem to stand little chance at victory. This is a scene from the gigantomachy, the battle of the gods against the giants (gigantes), sons of the earth, Gaia. According to the myth, Poseidon crushed the giant Polybotes with a piece of the island of Kos that he broke off and that would become the smaller isle of Nisyros. Here, Nisyros is depicted as a large boulder that the god carries on his left shoulder. Matching the overall maritime theme, the shield device of the giant on the right is an octopus. It is painted in white, as are the other giant’s shield and the island to be. On the other side of the vessel, Peleus holds on to the sea nymph Thetis as she shifts shapes in the futile effort to escape him. Her body is turned to the right, away from her assailant; she pushes back against his head with one hand and with the other pleads with a woman, likely one of her sisters, who flees to the left. Peleus, with nude upper body and a cloak wrapped around his hips, has emerged between the two women to capture his divine prey. Snarling lions by Thetis’ side indicate her fierce resistance and changing shape. As it had been prophesized that Thetis’ son would be more powerful than his father, Thetis had become unattractive to gods. Her marriage to the mortal Peleus would produce the mighty hero Achilles. An incised graffiti, likely a trademark, is on the underside of the vessel’s foot. The amphora has been recomposed from multiple fragments with inpainting covering the seams.
43.2 × 27.9 cm (17 × 11 in.)
Hoyt Miller, (1883-1957), Kings Point, Long Island, NY, estate sale; to Lottie and Mark Salton, Hartsdale, New York, (1957- 2021), bequest; to the Harvard Art Museums.
Silver
18th centuryBritishGray stoneware with combed decoration and appliqué handle. Reportedly recovered in Koryŏng-gun, North Kyŏngsang province.
6th centuryKoreanSilver
18th centuryBritish, ScottishMonochrome glazed porcelain: porcelain with black glaze
18th centuryChineseCeramic
16th centuryPersianTerracotta
6th century BCEGreekXing or Xing-type ware: porcellaneous white stoneware with pale blue glaze over white slip on the interior and upper portion of the exterior; probably from kilns in Hebei province, perhaps from the Xing kilns at Neiqiu, Hebei province
9th-10th centuryChineseSilver
18th centuryBritishLight gray stoneware with impressed decor
9th-7th century BCEChineseDing ware: porcelaneous white stoneware with ivory-hued glaze over incised and carved decoration. From the Ding kilns at Quyang, Hebei province.
11th-12th centuryChineseEarthenware
2nd-1st millennium BCEChineseLight gray stoneware with kiln-darkened surface and with localized areas of natural ash glaze, the natural glaze droplets now disintegrated and flaked away
11th-13th centuryKorean