1295-1070 BCE
As the hieroglyphic writing around all four sides of its base tells us, this statuette was dedicated to the god Thoth and inscribed for a man named Paser. It may have stood in a temple to the god (perhaps at Hermopolis or Karnak). It depicts a baboon squatting with its hands resting on its knees. The monkey’s long tail curves around its proper right side. As is usual for Egyptian baboon sculptures, the genitalia project between the animal’s feet, emphasizing his sexual potency and prowess. The baboon could represent Thoth, a moon god and god of writing and science. Since the inscription reveals that Paser was a scribe, he would have viewed Thoth as his patron. The inscription emphasizes Paser’s silence and good character, giving us a sense of the ideal temperament for scribes in the Egyptian world. The monkey’s fur is not indicated by carving, but may have been rendered in paint. Traces of a reddish brown pigment, likely hematite, an iron ocher, survive in some of the areas where the figure joins the base, as well as in some of the hieroglyphs. Red is also attested for other baboon images. There is no hole in the statuette’s head for an attachment such as the lunar disk atop a crescent moon familiar from other images of Thoth. The statue is a little lop-sided, and its base is rough below. Its surface is pitted and chipped, and the inscription is quite worn in parts. An Arab number is written on the chest.
23.5 × 8.5 × 14.5 cm (9 1/4 × 3 3/8 × 5 11/16 in.)
[C. Dikran Kelekian Ancient Arts, New York, (by 1976)], sold; to Robert and Sally Huxley, New York (1976-2020), gift; to the Harvard Art Museums.

Bronze relief
20th centuryGermanMolded brick-red earthenware with emerald green, lead-fluxed glaze
2nd century CEChinesePlaster
19th centuryItalianGlazed ceramic, steel, painted hardwood
21st centuryAmericanBronze
19th-20th centuryAmericanStoneware with white crackle glaze, white glow-in-the-dark confetti glaze, and gold glaze
21st centuryChinesePlaster
19th centuryItalianTerracotta; pinkish-buff clay, apparently unpainted
CypriotWalnut? overlaid with gesso
16th centuryItalian?Black stone
8th-7th century BCESyrianVolcanic tuff
6th century BCEItalic