18th or 19th c.
A large export ware bowl with an ogee-shaped profile and a scalloped edge. Thin white porcelain body with underglaze blue borders featuring palmettes and waves filled with geometric patterns. Additional details have been added in gold. The enamel (fencai 粉彩or famille rose) decoration on the exterior is repeated on both sides of the vessel” a vignette featuring three men in an outdoors scene in front of a river. A man in a magenta robe stands above, a second man in a purple robe sits beside him at a table, and purple, and a third man in an orange robe stands behind the table. On either side of the vignette are sprays of orange and magenta flowers with green and blue-green leaves.
Arthur and Mariot F. Solomon, Cambridge, MA (by 2020), bequest; to the Harvard Art Museums.
Brown-and-white ware: porcelain with decoration painted in underglaze iron-brown slip. From kilns at Kwangju, Kyŏnggi province.
17th centuryKoreanLongquan celadon ware: light gray stoneware with bluish green celadon glaze, the unglazed areas with rust-brown skin. From the Longquan kilns at Longquan, Zhejiang province.
12th centuryChineseSilver
19th centuryIndianNanfeng ware: light gray stoneware with decoration reserved against the medium brown glaze, the rim and reserved designs with clear glaze over white slip. From the Baishe kilns in Nanfeng county, Jiangxi province
12th-13th centuryChineseFritware with underglaze painted decoration
13th-14th centuryPersianSilver
18th centuryAmericanSilver
18th centuryBritishSilver
17th centuryBritishIncised celadon ware: light gray stoneware with celadon glaze over incised decoration
11th-12th centuryKoreanReddish earthenware covered in white slip and painted with brownish black (chromium, iron, and manganese) and blue (cobalt) under clear alkali glaze
19th-20th century