c. 12th century
Fragmentary sculpture depicting the head and partial mandorla of a Buddha. He wears a patterned crown, surrounding a conical patterned ushnisha. He has elongated earlobes, one of which is broken, and has lined lips and eyes. The mandorla is a hood formed by seven nagas (serpents), and the heads of four survive. The fronts of the nagas are decorated with a wave pattern and each have an image of a sun. The backs of the nagas are covered in scales and decorated with a larger sun near the head. There is a single large sun medallion at the base.
H. 19 × W. 13 cm (7 1/2 × 5 1/8 in.)
Charles D. Kelekian, New York (by 1935-1982), by descent; to Nanette Rodney Kelekian, New York (1982-2021), bequest; to the Harvard Art Museums.
Stone
11th-15th centuryCosta RicanVolcanic tuff
6th century BCEItalicLeaded bronze; lost-wax cast
10th centuryChineseTerracotta
4th-1st century BCEGreekTerracotta
Terracotta
4th century BCEGreekCopper alloy
5th-4th century BCEItalicLight gray stone, probably sandstone. From the “Elephant Chapel,” Wangmugong Cave 王母宮石窟, Jingchuan, Gansu province.
4th-6th centuryChineseTerracotta
18th centuryItalianFaience
4th-1st century BCEEgyptianAlabaster
6th-2nd century BCEEtruscanHardstone, perhaps altered nephrite
19th-20th centuryChinese