1918 (Taishō 7)
Pair of six-panel folding screens painted by Nihonga painter Watanabe Kōkan (1877-1938) depicting a woodswoman (Oharame) tying her headscarf in front of a mill as she prepares for work on an early autumn morning. Exhibited at the 1918 Bunten exhibition.
each screen: 172 × 363 cm (67 11/16 × 142 15/16 in.)
Private Collection, Japan, (1918-2016), sold. [Art market, Kyoto, (2016-2017)], sold; to [Erik Thomsen Gallery, New York, 2017)], sold; to Harvard Art Museums, 2017.
Oil on canvas
19th centuryAmericanOil on canvas
20th centuryAmericanOil on canvas
19th centuryFrenchAlbum leaf (one from a set of eight); ink on paper
17th centuryChineseSection of a wall painting; polychromy on unfired clay
7th-8th centuryChineseOil on canvas on board
19th centuryPeruvianSix-panel folding screen; ink and light colors on silk; with signature reading "Hyo-san"; with seals reading "Hyo San" and "Kim Chae Tŏk In" at the end of the inscription on the last panel
19th centuryKoreanHanging scroll: the center of a set of three; ink on paper with brocade mounting
17th centuryJapaneseOil on canvas
17th-18th centuryItalianFolding-fan painting mounted as an album leaf; ink and color on gold-surfaced paper; with signature reading "Jin Junming"
17th centuryChineseOil on panel
19th centuryFrenchFolding album leaf (from an album of sixteen leaves) mounted as a hanging scroll; ink on paper, with notation reading "Maedoin chak" (in Chinese, "Meidaoren zuo"), indicating that the painting is in the manner of Wu Zhen; with a square, red, relief seal of the artist redading "Yu Hyang Sŭp In"
19th centuryKorean