2010
The book consists of the text, written by Oliver Sacks, with thirteen cliché-verres photographic prints by Abelardo Morell, and cycad-leaf, sea-fan castings and laser-cut paper designed by Ted Meuhling.
case: 36 × 30.2 × 3 cm (14 3/16 × 11 7/8 × 1 3/16 in.) book (closed): 35 × 28.6 × 2.2 cm (13 3/4 × 11 1/4 × 7/8 in.) separate cliché-verre: 34.3 × 28.2 cm (13 1/2 × 11 1/8 in.)
The Library Council of the Museum of Modern Art, partial sale, partial gift; to Emily Rauh Pulitzer (2012-2017), gift; to the Harvard Art Museums, 2017.

Photomechanical prints in colored inks on paper
20th centuryGerman
Photomechanical print in black ink on off-white wove paper; black and blue inks on coated off-white wove paper; card and paper binding
20th centuryGerman
Photomechanical print
20th centuryGerman
Relief halftone and letterpress on tracing paper
20th centuryGermanWoodblock printed book; ink on paper
18th centuryChineseSet of 10 (from larger set of 20) woodblock-printed books; ink and color on paper
18th-19th centuryJapanese
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21st centuryAmericanWoodblock-printed book (from set of twenty); ink and color on paper
19th centuryJapanese
Set of eight printed books in accordion-fold format: gold and silver pigments on
14th centuryJapaneseBook printed in black ink on dark cream paper
20th centuryFrench