1854 (date of album compilation)
The album contains 19 folios, carrying 36 pieces of calligraphy. A small note suggests that the album entered the library of Khanlar Mirza Ihtisham al-Dawla, in Muharram 1271/Sep-Oct 1854. He was the seventeenth son of the crown prince, ‘Abbas Mirza. All folios have attributions written in the margins. Altogether there are 2 folios in taʿliq by Khwaja Ikhtiyar, 13 folios by Darvish ‘Abd al-Majid Taliqani (d. Isfahan, 1185 H.), 7 folios by Muhammad Shafi‘ Isfahani (known as Shafi‘a) (d. c.1089 H.), 3 folios by Mirza Kuchak Isfahani (d. after 1228 H.), 2 by Mirza Riza (d. 12th century H.), 2 in the style of Shafi‘a, and 2 in the manner of Darvish. The two folios attributed to Khwaja Ikhtiyar are the oldest works in this album. The album is bound in a dark brown leather binding bordered by gold painted frames. The inside covers are plain brown leather framed by two gold lines.
24 x 15 cm (9 7/16 x 5 7/8 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), loan; to Harvard Art Museums, 2015. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Ink, opaque watercolor and gold on paper
17th centuryIndianInk, opaque watercolor and gold on paper
18th-19th centuryIndianBlack ink on beige paper
17th centuryIndianRelief monoprint on off-white glossy coated wove paper
19th centuryPersianInk with opaque watercolor and gold on paper
17th-18th centuryIndianBlack ink and watercolor on beige paper
16th centuryPersianOpaque watercolor and gold on paper; Pahari Style.
18th centuryIndianLeft: black counterproof, brown ink and watercolor on off-white laid paper, pricked; Top middle: red and brown inks over graphite on off-white wove paper; Bottom middle: graphite and watercolor on off-white wove paper; Right: brown ink on off-white laid paper, pricked and partially and selectively rubbed with red chalk (recto)
19th centuryPersianInk with opaque watercolor and gold on paper
17th-18th centuryIndianTop: red ink over graphite on off-white wove paper (recto); Top: black ink; Middle: red ink over graphite on off-white wove paper; Bottom: red ink over graphite on off-white wove paper (verso)
19th centuryPersianInk, color, and gold on paper; leather binding
18th centuryIndianInk and opaque watercolor on paper
16th centuryPersian