1854 (date of album compilation)
The album contains 19 folios, carrying 36 pieces of calligraphy. A small note suggests that the album entered the library of Khanlar Mirza Ihtisham al-Dawla, in Muharram 1271/Sep-Oct 1854. He was the seventeenth son of the crown prince, ‘Abbas Mirza. All folios have attributions written in the margins. Altogether there are 2 folios in taʿliq by Khwaja Ikhtiyar, 13 folios by Darvish ‘Abd al-Majid Taliqani (d. Isfahan, 1185 H.), 7 folios by Muhammad Shafi‘ Isfahani (known as Shafi‘a) (d. c.1089 H.), 3 folios by Mirza Kuchak Isfahani (d. after 1228 H.), 2 by Mirza Riza (d. 12th century H.), 2 in the style of Shafi‘a, and 2 in the manner of Darvish. The two folios attributed to Khwaja Ikhtiyar are the oldest works in this album. The album is bound in a dark brown leather binding bordered by gold painted frames. The inside covers are plain brown leather framed by two gold lines.
24 x 15 cm (9 7/16 x 5 7/8 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), loan; to Harvard Art Museums, 2015. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Opaque watercolor and gold on paper
17th centuryIndianOpaque watercolor and gold on paper; Rajput Style, Kishangarh School
18th centuryIndianInk and watercolor on paper
17th centuryPersianOpaque watercolor on paper
18th centuryIndianOpaque watercolor on paper
19th centuryIndianOpaque watercolor on paper
19th centuryOttomanWatercolor, opaque on paper
18th centuryPersianWatercolor, opaque on paper
16th-17th centuryOttomanRed-brown ink over graphite on off-white modern laid paper; pricked and rubbed with red chalk
19th centuryPersianopaque watercolor on paper
18th centuryOttomanOpaque watercolor on paper
17th centuryOttomanOpaque watercolor and gold on paper
18th centuryIndian