17th-19th century
The manuscript is very small and opens with double illuminated text pages with sura 1 and 2. However the first page has been replaced with a later one, and a folio written ornately and minutely in shikasta nastaliq has been inserted between the original and replacement folios. The actual Qur'an text has been written in naskh in fourteen lines to a page in black ink on a ground of alternating yellow- and green-toned gold. A Persian interlinear translation is copied in red ink in nastaliq script. Extensive commentary written obliquely in shikasta script can be found on the margins of several pages. A note on the margin and the inserted folio give the dates 1084 H (1673) and 1141 H (1729) along with artists' names, although these are difficult to decipher. The binding is lacquered and the narrow field is composed of a central medallion with pendants and corner pieces filled with flowers and arabesques. Several borders of varying width frame the field. It appears that the original Safavid manuscript was refurbished with a lacquer binding in the Zand or Qajar era, at which time the extra folio and notes were added.
15.3 × 9.7 × 2.8 cm (6 × 3 13/16 × 1 1/8 in.) Text area: 10.9 × 6 cm (4 5/16 × 2 3/8 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Ink, colors, and gold on paper
16th centuryPersianDouble-sided, detached leaf from an incomplete manuscript; ink on palm leaf
12th centuryNepaleseHandscroll; ink on paper (silver and gold foil on reverse shows through)
12th-14th centuryJapaneseOpaque watercolor on paper
17th centuryIndianDouble-sided, detached leaf from an incomplete manuscript: ink, color, and gold on blue paper
18th centuryNepaleseInk, opaque watercolor and gold on paper
16th centuryOttomanInk, colors, and gold on paper
16th centuryInk, opaque watercolor and gold on paper
15th centuryPersianInk, opaque watercolor and gold on paper
17th centuryPersianOpaque watercolor on paper
16th centuryIndianInk, opaque watercolor and gold on paper
17th centuryPersianInk on paper
16th-17th centuryOttoman