c. 1830-1850
Depicted on the fitted lid of this mirror case is a birth scene showing a baby boy in a shallow bath next to his mother, who is taken care of by a midwife. An attendant wraps the afterbirth for burial, while another prepares a warm drink for the convalescing mother. On the other side of the lid, two women sit beside the baby boy, while a servant stands at the window. The back of the case depicts the boy’s circumcision. Scenes of birth and circumcision are rare among paintings on Qajar lacquerware. This mirror case was most likely made for a mother in the royal court or a wealthy household to commemorate the birth of a son.
frame: 23.8 × 15.3 × 1.6 cm (9 3/8 × 6 × 5/8 in.) lid: 20.9 × 12.6 × 0.4 cm (8 1/4 × 4 15/16 × 3/16 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Cast bronze with integrally cast auspicious inscription
2nd-1st century BCEChineseCopper alloy
4th century BCEGreek
Bronze
2nd-1st century BCECast bronze with integrally cast auspicious inscription
6th-7th centuryChineseCast bronze
8th centuryChineseCast bronze inset with silver bosses, the rim inlaid with turquoise
5th-3rd century BCEChineseCast bronze with blackish patina
5th-3rd century BCEChineseCast bronze
8th centuryChineseCast bronze
8th centuryChineseCast bronze
5th-3rd century BCEChineseCopper alloy
4th century BCEGreekCast bronze with traces of gold over a lacquer (?) substrate
8th centuryChinese