c. 1830-1850
Depicted on the fitted lid of this mirror case is a birth scene showing a baby boy in a shallow bath next to his mother, who is taken care of by a midwife. An attendant wraps the afterbirth for burial, while another prepares a warm drink for the convalescing mother. On the other side of the lid, two women sit beside the baby boy, while a servant stands at the window. The back of the case depicts the boy’s circumcision. Scenes of birth and circumcision are rare among paintings on Qajar lacquerware. This mirror case was most likely made for a mother in the royal court or a wealthy household to commemorate the birth of a son.
frame: 23.8 × 15.3 × 1.6 cm (9 3/8 × 6 × 5/8 in.) lid: 20.9 × 12.6 × 0.4 cm (8 1/4 × 4 15/16 × 3/16 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Mirror: High tin bronze; Back of mirror: Mixed copper alloy
3rd century BCE-1st century CEHellenistic or Early RomanCast bronze
8th centuryChineseCast bronze
5th-3rd century BCEChineseLeaded bronze
5th century BCEGreekCast Bronze
5th century BCE-1st century CEChineseCast bronze
8th centuryChineseCopper alloy
3rd century BCEEtruscanLacquered wood
19th centuryPersianGlass on ivory
19th centuryFrenchCast bronze with two integrally cast inscriptions (one auspicious, one documentary)
2nd century CEChineseCast bronze with gilding
1st-3rd century CEChineseBronze
4th-3rd century BCEEtruscan