1909-1910
Cover and sliding compartment with rounded ends. The top is decorated in vertical format with three cartouches. In the center is a full-length portrait of an Iranian woman in a black jacket and floor-length skirt; above and below are bust-length female portraits. The sides are composed in a similar manner with an oblong cartouche in the center that features animals in a mountainous landscape; to the right and left are small riverine landscapes. On the base an arabesque is painted in gold on a black background. The artist Muhammad Baqir Samirumi sometimes added the number 303 to his signature. It has been suggested that this stands for the name “Baqir,” the letters of which have this numerical value.
3.5 × 3.2 × 19.9 cm (1 3/8 × 1 1/4 × 7 13/16 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Chūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "dōgubori" (punch-carving) and "tsukibori" (thrust-carving) techniques; with ink
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19th centuryChineseWood
EgyptianOpaque watercolor, gold-colored pigments, copper alloy particles, and lacquer over brass layer on pasteboard
18th centuryChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) techniques, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapaneseInk on carved wood
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19th centuryJapanese