This manuscript is the first volume of a two-volume Shahnama by Firdawsi with further Shahnama inspired interpolated texts from the Garshaspnama and the Barzunama. The manuscript has 325 folios and is copied in nastaliq script. There are two illuminated panels at the beginning of the prose and poetry sections of the Shahnama. There are 34 illustrations that appear to have been painted when the manuscript was copied and 26 simple style illustrations that can be dated to a later phase. Overall, based on the style of the illustrations, illumination, and the interpolated texts, the creation of the manuscript can be attributed to the late 17th-early 18th century in Kashmir, the northern region of India under Mughal control. Later in the 19th century, the incomplete manuscript was furnished with simple style illustrations and possibly with a new illuminated panel at the beginning of the text.
36.8 x 23.5 cm (14 1/2 x 9 1/4 in.)
George McFadden, New York, (by 1987-1988), sold; to José M.Soriano, New York, (1988-2014), gift; to the Harvard Art Museums, 2014.
The tenth of a series of 54 backing sheets mounted in an album; ink and color on paper
16th centuryJapaneseInk, opaque watercolor and gold on vellum
9th-10th centuryArabInk, opaque watercolor and gold on paper
16th centuryPersianInk and gold on paper
16th-17th centuryPersianTwo-sided, horizontal, accordion-fold manuscript; ink, color, and gold on paper; with lacquered cover
19th centuryThaiManuscript book; ink (and red ink for collator's marks) on paper
12th centuryJapaneseInk, opaque watercolor and gold on paper
17th centuryPersianInk, colors, and gold on paper
16th centuryPersianHandscroll; ink, gold and silver on paper, from Enryaku-ji, Mount Hiei
14th centuryJapaneseInk, opaque watercolor and gold on parchment
13th-14th centuryArabInk, opaque watercolor and gold on paper
19th centuryOttomanInk, opaque watercolor and gold on paper
13th centuryEgyptian