17th-18th century
This manuscript is the first volume of a two-volume Shahnama by Firdawsi with further Shahnama inspired interpolated texts from the Garshaspnama and the Barzunama. The manuscript has 325 folios and is copied in nastaliq script. There are two illuminated panels at the beginning of the prose and poetry sections of the Shahnama. There are 34 illustrations that appear to have been painted when the manuscript was copied and 26 simple style illustrations that can be dated to a later phase. Overall, based on the style of the illustrations, illumination, and the interpolated texts, the creation of the manuscript can be attributed to the late 17th-early 18th century in Kashmir, the northern region of India under Mughal control. Later in the 19th century, the incomplete manuscript was furnished with simple style illustrations and possibly with a new illuminated panel at the beginning of the text.
36 x 23 cm (14 3/16 x 9 1/16 in.)
George McFadden, New York, (by 1987-1988), sold; to José M.Soriano, New York, (1988-2014), gift; to the Harvard Art Museums, 2014.
Ink and opaque watercolor on vellum
11th centuryNorth AfricanInk, opaque watercolor, and gold on parchment
9th-10th centuryArabWatercolor, gold-colored pigments, platy hematite particles, and lacquer on pasteboard (covers) Ink, gold, and colors on paper (text)
20th centuryPersianInk, opaque watercolor and gold on paper
16th centuryUzbekInk, opaque watercolor and gold on paper
18th-19th centuryOttomanInk, colors, and gold on paper
18th centuryPersianInk, opaque watercolor and gold on vellum
9th-10th centuryArabInk, colors, and gold on parchment
8th-9th centuryArabWatercolor, gold-colored pigments, and lacquer over metallic layer on pasteboard (covers) Ink, gold, and colors on paper (text)
19th centuryPersianAccordion-fold book; ink, color and gold on paper
17th centuryJapaneseTwo-sided accordion-fold manuscript; ink and color on paper
19th centuryThaiInk, colors, and gold on paper
16th centuryPersian