DrawingsAmerican20th century
Untitled
c. 1977-80
Artists
Christopher WilmarthArtist
Dimensions
61 x 50 x 3.8 cm (24 x 19 11/16 x 1 1/2 in.)
Provenance
Estate of Susan Wilmarth, gift; to the Harvard Art Museums, 2014.
Related Artworks
View More
Drawings
Untitled
Morris Louis, 1953
Black ink, graphite, and yellow chalk on off-white wove paper
20th centuryAmericanDrawings
One of a series of color studies for portrait of Derek Bok exploring different setting possibilities sent to Fox-Grindlay after sketch approval; seated figure with President's chair and shield
Jason Bouldin, 1996
Oil on tracing paper
20th centuryAmericanDrawings
Untitled (recto and verso)
Morris Louis, 1950 - 1953
Black ink, graphite, and yellow chalk on off-white wove paper; verso: black ink
20th centuryAmericanDrawings
Study for the Law, Undraped, for "Israel and the Law," Boston Public Library
John Singer Sargent, 1895 - 1916
Charcoal on off-white laid paper
19th-20th centuryAmericanDrawings
11 cu
Joseph Zito, 1991
Printer's ink and acrylic paint on cream wove paper
20th centuryAmericanDrawings
Sketch for "Passage to Etna"
Peter Blume, c. 1955
Black chalk on off-white wove paper
20th centuryAmericanDrawings
Study for Seated Angel at Left, "Israel and the Law," Boston Public Library
John Singer Sargent, 1895 - 1916
Charcoal on blue laid paper
19th-20th centuryAmericanDrawings
Fabric Study; verso: blank page
George Grosz, 1950-1951
Graphite on off-white wove paper
20th centuryAmericanDrawings
Office Unit and Factory Building, Greensboro, North Carolina, 1944-1946: Section through west stairs (1/4" = 1'-0")
Walter Gropius, 1944-1946
Graphite on paper
20th centuryAmericanDrawings
Madonna and Child with the Infant Baptist, after Raphael; verso: Diagrams and notes related to "The Funeral of Phocion" by Poussin
Lewis W. Rubenstein, 1931 - 1932
Graphite on cream wove paper
20th centuryAmericanDrawings
The Ship of Hope
Mortimer Borne, 1955
Black ink and white gouache on cream wove paper
20th centuryAmericanDrawings
La Gruyères, Switzerland
Harold Moody Vanderbilt, 1929
Black and white chalk on brown wove paper
20th centuryAmerican