18th-19th century
This is one of three pages from an album of calligraphy written in naskh and thuluth scripts in horizontal format. The other sides of the original folios were most likely removed to be sold separately. Calligraphic works written in horizontal format with a combination of two (large and small) scripts on the same page, possibly to be included in albums, were typical for Ottoman calligraphers, especially after Hafiz Osman in the 17th century. It became a standard for Ottoman calligraphers to write kit’as (rectangular calligraphic work generally using two scripts) and receive icazet (certificate of competence and permission to teach calligraphy to others) from their masters directly on that page. We do not know the name of the scribe who created this or the other two folios. The texts are various examples of Arabic hadith (sayings of the Prophet Muhammad). The text on this folio contains sections from two hadith: I. Sahih Bukhari, 98, #7494 The Prophet said, "Allah says: 'I am just as My slave thinks I am, (i.e. I am able to do for him what he thinks I can do for him) and I am with him if He remembers Me.] If he remembers Me in himself, I too, remember him in Myself; and if he remembers Me in a group of people, I remember him in a group that is better than they; [and if he comes one span nearer to Me, I go one cubit nearer to him; and if he comes one cubit nearer to Me, I go a distance of two outstretched arms nearer to him; and if he comes to Me walking, I go to him running.' "] II. Tirmidhi, al-Jami-us-Sahih, 4:607, #2411 Abdullah ibn Umar narrates that the Messenger of Allah said, “Do not talk a lot without remembrance of Allah, because much talk without remembrance of Allah is hardness of heart. And the one who is farthest from Allah is he who has a hard heart.” The frames on either side of the smaller script were usually reserved for illumination. Here no illumination is applied and the emphasis has been just on the calligraphy itself. There is a thin strip of blue marbled paper serving as a frame around the calligraphy. A second thicker strip of speckled paper in tan color surrounds the inner one. A catchword can be seen on the upper left corner of the page. As the other two Binney folios this folio has been sliced and four lines of calligraphy and part of a damaged illumination have been pasted on the back.
24.8 x 15.2 cm (9 3/4 x 6 in.)
[Sotheby Parke Bernet Inc., New York, 15 June 1979, lot 170], sold; to Edwin Binney, 3rd, California (1979-1986), bequest; to the Harvard Art Museums, 2012. NOTE: Stored at the San Diego Museum of Art from some time before 1986 until 1991, then at the Los Angeles County Museum of Art from 1991-2011.
Ink, opaque watercolor and gold on paper
16th-17th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianTop: brown ink and black counterproof on off-white wove paper; Bottom: colored inks, graphite and black counterproof on off-white wove paper
19th centuryPersianTop: black ink over graphite on beige wove paper; Middle: red ink over graphite on off-white wove paper; Bottom: black ink over black counterproof on off-white wove paper (recto); Brown and gray inks on off-white wove paper (verso)
19th centuryPersianWatercolor, opaque on paper
16th-17th centuryOttomanBlack and red inks, watercolor, and gold on off-white paper (recto); Watercolor on off-white wove paper, toned orange-pink wash (verso)
19th centuryPersianLeft: black counterproof on off-white laid paper; Center: black counterproof, colored inks with touches of graphite on off-white paper; pricked; Right: black counterproof and light brown ink on laid paper; pricked and pounced with red chalk, verso rubbed with red chalk and black chalk (?) (recto); Red ink and graphite on off-white blue-lined wove paper; pricked and verso rubbed with red chalk (verso)
19th centuryPersianInk, colors, and gold on paper
19th centuryPersianInk, opaque watercolor and gold on paper
17th centuryPersianBrown ink and graphite on off-white wove paper; pricked, edges and verso rubbed with red chalk (recto); Red and brown inks and graphite on off-white modern laid paper; pricked and rubbed with red chalk (verso)
19th centuryPersianink, gold, and opaque watercolor on paper with tooled gold and marbled paper border
18th centuryOttoman