16th-17th century
On both sides of this folio from a manuscript of the Nuzhatnama-i ala’i by Shahmardan, small illustrations of birds in summary landscape settings are embedded within the text, which is written in naskh script. On the recto, a swallow (khuttaf) perches on the edge of a fishpond. The verso features two paintings. Near the top, four gray birds perch on a low-branching tree or bush. According to the text, they represent sparrows (gunjishk). At the bottom, an unidentified bird (badanjanah) with a green head and long, curling tail faces left. Plants growing out from under clusters of rocks mark the ground, and small running clouds indicate the sky.
24.8 x 16.5 cm (9 3/4 x 6 1/2 in.)
[Léonce Rosenberg, Paris, at least until 1913]; [Origins, June, 1973], sold; to Edwin Binney, 3rd, (1973-1986), bequest; to the Harvard Art Museums, 2012. NOTE: Stored at the San Diego Museum of Art from some time before 1986 until 1991, then at the Los Angeles County Museum of Art from 1991-2011.
Ink, opaque watercolor and gold on paper
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19th centuryThaiBlack ink, opaque watercolor, and gold on beige paper
16th centuryPersianInk, colors, and gold on paper
19th centuryInk, colors, and gold on paper
16th centuryPersianInk, colors, and gold on paper
17th-18th centuryIndianInk, opaque watercolor and gold on paper
12th centuryPersianInk, opaque watercolor and gold on paper
16th centuryOttomanCalligraphy; ink, opaque watercolor and gold on paper, with red leather binding
13th centuryIslamicInk and pigments on paper
18th centuryNepaleseInk on paper
17th and 19th centuriesPersian