16th-17th century
On both sides of this folio from a manuscript of the Nuzhatnama-i ala’i by Shahmardan, small illustrations of birds in summary landscape settings are embedded within the text, which is written in naskh script. On the recto, a swallow (khuttaf) perches on the edge of a fishpond. The verso features two paintings. Near the top, four gray birds perch on a low-branching tree or bush. According to the text, they represent sparrows (gunjishk). At the bottom, an unidentified bird (badanjanah) with a green head and long, curling tail faces left. Plants growing out from under clusters of rocks mark the ground, and small running clouds indicate the sky.
24.8 x 16.5 cm (9 3/4 x 6 1/2 in.)
[Léonce Rosenberg, Paris, at least until 1913]; [Origins, June, 1973], sold; to Edwin Binney, 3rd, (1973-1986), bequest; to the Harvard Art Museums, 2012. NOTE: Stored at the San Diego Museum of Art from some time before 1986 until 1991, then at the Los Angeles County Museum of Art from 1991-2011.
Opaque watercolor and gold on paper
17th centuryIndianDouble-sided, detached leaf from an incomplete manuscript: ink, color, and gold on blue paper
18th centuryNepaleseInk, opaque watercolor and gold on paper
17th centuryPersianInk, opaque watercolor and gold on paper
13th centuryEgyptianFolding book mounted [during the Muromachi period] as a handscroll; ink on ōbaku
12th centuryJapaneseInk, colors, and gold on paper; gilded leather binding
19th centuryOttomanDouble-sided, detached leaf from an incomplete manuscript; ink, color, and gold on black paper
18th centuryNepaleseInk and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
17th centuryPersianInk, opaque watercolor and gold on paper
15th-16th centuryPersianInk and opaque watercolor on vellum
9th centuryArabA set of seventeen palm-leaf manuscript: ink on palm leaf with gilt wood covers
Thai