1804
In this tripartite calligraphic composition, the panels on the right and on the left consist of Qur'anic inscriptions, while in the center there is an image of a bird perched on a flowering branch, also composed from verses of the Qur'an. A decorative border, with flowering scrolls painted on a blue background, divides and frames the panels. The texts at the corners and on the side panels are surrounded by a cloud form in reserve, with gold or red hatching pattern in the background. The central panel is a calligram. Verses from the Qur'an are here arranged to form the bird and flowering branch, creating tension between the text and the image. The verses, including sura 57 (al-Hadid), sura 112 (al-Ikhlas) and sura 108 (al-Kauthar), are copied in naskhi script. The composition is dated H. 1219/1804 and signed in three places by the calligrapher Abd al-Sattar.
26.7 x 38.7 cm (10 1/2 x 15 1/4 in.)
[Adrienne Minassian, New York, 30 October 1973], sold; to Edwin Binney, 3rd, California, (1973-1986), bequest; to the Harvard Art Museums, 2012. NOTE: Stored at the San Diego Museum of Art from some time before 1986 until 1991, then at the Los Angeles County Museum of Art from 1991-2011.
Top: black and brown inks, watercolor and graphite on off-white wove paper; Bottom: red ink and graphite on off-white modern laid paper; pricked and verso rubbed with red chalk (recto)
19th centuryPersianInk and watercolor on paper
19th centuryPersianBlack counterproof on off-white modern laid paper, with gold and ink margin lines, pricked and selectively pounced with red chalk (recto); Red ink on off-white modern laid paper; pricked and verso rubbed with red chalk (verso)
19th centuryPersianColored inks and graphite on off-white laid paper; pricked and verso rubbed with red chalk (recto); Top: Pink and green inks on beige wove paper (verso): Bottom: Green and brown inks on beige laid paper (verso)
18th-19th centuryPersianWatercolor, black chalk and blue colored pencil on off-white wove paper; pricked (recto); Watercolor, silver and gold over graphite on off-white modern laid paper (verso)
19th centuryPersianBlack ink on off-white modern laid paper; pricked (verso)
18th-19th centuryPersianGraphite on two sheets of off-white wove paper; joined and mounted overall to pieced and burnished wove paper
19th centuryPersianBlack and red inks, watercolor, and gold on off-white paper (recto); Watercolor on off-white wove paper, toned orange-pink wash (verso)
19th centuryPersianTop: brown ink over traces of graphite on beige wove paper, burnished; Middle: brown ink over traces of graphite on off-white paper; pricked; Bottom: brown ink on off white wove paper; Bottom verso: red and brown ink; Bottom verso: red and brown ink (recto) Right: brown ink over graphite on off-white laid (?) paper; pricked; Left: black ink with traces of black chalk on beige wove paper; rubbed with red chalk (verso)
19th centuryPersianInk, opaque watercolor and gold on paper
18th-19th centuryPersianInk, opaque watercolor and gold on paper
19th centuryPersian