1804
In this tripartite calligraphic composition, the panels on the right and on the left consist of Qur'anic inscriptions, while in the center there is an image of a bird perched on a flowering branch, also composed from verses of the Qur'an. A decorative border, with flowering scrolls painted on a blue background, divides and frames the panels. The texts at the corners and on the side panels are surrounded by a cloud form in reserve, with gold or red hatching pattern in the background. The central panel is a calligram. Verses from the Qur'an are here arranged to form the bird and flowering branch, creating tension between the text and the image. The verses, including sura 57 (al-Hadid), sura 112 (al-Ikhlas) and sura 108 (al-Kauthar), are copied in naskhi script. The composition is dated H. 1219/1804 and signed in three places by the calligrapher Abd al-Sattar.
26.7 x 38.7 cm (10 1/2 x 15 1/4 in.)
[Adrienne Minassian, New York, 30 October 1973], sold; to Edwin Binney, 3rd, California, (1973-1986), bequest; to the Harvard Art Museums, 2012. NOTE: Stored at the San Diego Museum of Art from some time before 1986 until 1991, then at the Los Angeles County Museum of Art from 1991-2011.
Graphite on beige wove paper; pricked and verso rubbed with red chalk (recto); Black counterproof and traces of rubbed red chalk on blue wove paper (verso)
19th centuryPersianRed ink over graphite on off-white modern laid paper; pricked (recto); graphite on off-white wove paper; pricked (verso)
19th centuryPersianGraphite on off-white wove paper; pricked and pounced with black chalk, verso rubbed with red chalk (recto); Red ink with touches of graphite on off-white modern laid paper; pricked (verso)
19th centuryPersianInk, opaque watercolor and gold on paper
18th-19th centuryPersianLeft: brown ink over graphite on off-white modern laid paper; pricked and pounced with red chalk; Right: brown ink over graphite on off-white modern laid paper; pricked and pounced with red chalk (recto)
19th centuryPersianGraphite and orange crayon (?) on cream modern laid paper (recto); Watercolor and charcoal on off-white wove paper; pricked (verso)
19th centuryPersianTop: red ink over graphite on off-white wove paper (recto); Top: black ink; Middle: red ink over graphite on off-white wove paper; Bottom: red ink over graphite on off-white wove paper (verso)
19th centuryPersianBlack counterproof with red and blue inks on off-white modern laid paper
19th centuryPersianInk and opaque watercolor on paper
19th centuryPersianRed ink over graphite on beige wove paper; burnished (recto); Top: red and red-brown inks over graphite on off-white wove paper; pricked and rubbed with red chalk; Bottom: red-brown ink over graphite on off-white wove paper (verso)
19th centuryPersianGreen and red inks and graphite on off-white wove paper (recto); Top: red ink with touches of brown ink and graphite on off-white laid paper; pricked and verso rubbed with charcoal; Middle: graphite on blue wove paper; Bottom: black ink and black wash over graphite on off-white laid paper, pricked (verso)
19th centuryPersianBlack ink, watercolor, and graphite on beige wove paper, burnished (recto); Light brown ink on off-white wove paper; pricked (verso)
19th centuryPersian