Bifolio from a manuscript of Yusuf va Zulaykha by Jami
16th-17th century
Description
This is a bifolio from a manuscript of Yusuf and Zulaykha of Jami, the renowned classical Persian poet (1414-1492). The bifolio consists of gold-sprayed cream- colored paper for text panels which are set in large pinkish-red margins. The seams are concealed under several colored rulings. The text is copied in 12 lines and two columns in nastaliq script in black ink. The middle of the two columns is illuminated with arabesques on a gold ground. There is also a simple framing line towards the edge of the red margin. The verses on the bifolio belong to the end of Jami's poem where Zulaykha dies after Yusuf’s death and the epilogue starts. The right side of the bifolio is not contiguous with the left side of the bifolio. There are 96 couplets missing. Since each page normally has 12 couplets, there would be eight pages (four folios or two bifolios) required to fill the gap which would have nested between the right and left side of the bifolio. This bifolio appears to have come from a manuscript that is widely dispersed. Three other folios are found in Harvard Art Museums' collection (1936.150.8.1, 1936.150.8.2, 1936.150.8.3). Two more folios are at the Boston Museum of Fine Arts (22.799a and 22.799b). Another folio is in the collection of Villa I Tatti, the Harvard University Center for Italian Renaissance Studies, Florence.
Dimensions
22.2 x 14 cm (8 3/4 x 5 1/2 in.)
Provenance
Edwin Binney, 3rd, California (1979-1986), bequest; to the Harvard Art Museums, 2012. NOTE: Stored at the San Diego Museum of Art from some time before 1986 until 1991, then at the Los Angeles County Museum of Art from 1991-2011.
Related Artworks
View MoreInk, opaque watercolor and gold on paper
16th centuryOttomanCalligraphy; ink, opaque watercolor and gold on paper, with leather binding
19th centuryOttomanInk, opaque watercolor and gold on paper
17th centuryOttomanOpaque watercolor on palm leaf with wood or palm bark cover
18th centuryIndianInk, opaque watercolor and gold on paper
13th centuryEgyptianInk, colors, and gold on paper
16th centuryPersianThe twenty-second of a series of 54 backing sheets mounted in an album; ink and color on paper
16th centuryJapaneseInk, colors, and gold on paper
16th centuryOpaque watercolor and gold on paper; Malwa Style
17th centuryIndianInk, opaque watercolor and gold on paper
16th centuryPersianDouble-sided, detached leaf from an incomplete manuscript; ink, color, and gold on black paper
18th centuryNepaleseInk, opaque watercolor and gold on paper
17th centuryPersian