17th century
A Rajput prince or emperor sits cross-legged inside a palanquin. He holds up a circle of beads in his right hand. The palanquin is flanked and carried by two male attendants. The dabs of pigment serve as cues to instruct the painter on how the work should be colored. Rajput Style.
21.6 x 19.1 cm (8 1/2 x 7 1/2 in.)
[Unnamed art dealer working near the Red Fort, Delhi] (October 24th, 1953); purchase by L.C. and P. Wyman, American couple; gift to Art Complex Museum, 189 Alden Street, Duxbury (1960s); purchase by Kathy Burton Jones [Norman Hurst], Hurst Gallery, 53 Mount Auburn Street, Cambridge (2004); gift to Harvard Art Museum (2009).
Brown ink and gray-brown wash on off-white antique laid paper, framing line in brown ink
16th-17th centuryFlemishBrown ink and brown wash over black chalk on buff antique laid paper
16th-17th centuryItalianRed chalk on cream antique laid paper
17th centuryItalianBlack chalk and gray wash on antique laid paper
17th centuryDutchBlack and red chalk [possibly a counterproof?] on off-white antique laid paper, framing line in brown ink
17th centuryDutchBrown ink, transparent and opaque watercolor, and white opaque watercolor on off-white antique laid paper, mounted; framing line in brown ink
17th centuryDutchBlack chalk on cream antique laid paper, with a partial framing line in black chalk
17th centuryDutchBrown ink and brown wash over traces of black chalk, squared in red chalk on off-white antique laid paper, framing lines in brown ink, laid down on off-white antique laid paper
17th centuryFrenchBlack chalk or charcoal on off-white antique laid paper
17th centuryGermanBlack and white chalk on blue paper
17th centuryDutchRed chalk on cream paper, framing line in graphite
17th-18th centurySwissBlack and white chalk, with a framing line in brown ink, on off-white antique laid paper, prepared with brown wash, laid down on a mount
17th centuryDutch