12th century
The walls of this shallow, circular bowl extend laterally from the circular footring (to form the vessel floor), then rise vertically to the mouth rim. The piece is fully glazed inside and out, save the bottom of the footring, which is unglazed (indicating that the bowl was fired right side up). The body clay is white and slightly transluscent; the grayish honey-yellow-hued glaze imparts a warm feel to the piece. The bowl was produced over a press mold set at the center of the potter's wheel: the mold determined the bowls shape and size and imparted the molded decoration on the interior; the potter's hands shaped the exterior and set the thickness of the walls. The potter cut the footring with a wood or bamboo scalpel after turning the bowl on the wheel. The bowl's interior boasts three registers of deocration over the cavetto, or side walls, and floor: at the very top is a narrow border of leaves; around the side walls is an undulating floral garland inhabited by baby boys, each of whom appears to support the garland's undulating stem; on the floor is an acquatic scene with various leaves and flowers, several fish, and a large bouquet of lotus blossoms, their stems bound together with a ribbon.
H. 6.6 x Diam. 25.2 cm (2 5/8 x 9 15/16 in.)
Eskenazi Ltd., London (Purchased by Gilbert and Stephanie Zuellig as a gift to the Harvard University Art Museums; the bowl was never a part of the Zuellig Collection.)
Jizhou ware: light gray stoneware with dark brown glaze, the decoration painted in overglaze buff slip. From the kilns at Yonghe, Ji'an, Jiangxi province.
12th-14th centuryChineseNorthern black ware of Cizhou type: light gray stoneware with dark brown glaze, the markings in overglaze iron oxide
12th-13th centuryChineseNorthern black ware of Cizhou type: light gray stoneware with dark brown glaze, the markings in overglaze iron oxide
12th-13th centuryChineseNorthern black ware of Cizhou type: off-white stoneware with dark brown glaze, the exterior with russet skin, the interior with russet markings in overglaze iron oxide
11th-12th centuryChineseYaozhou ware: light gray stoneware with celadon glaze over carved, incised, and combed decoration. From the Yaozhou kilns near Tongchuan, Shaanxi province.
12th-13th centuryChineseGreen Jun ware: light gray stoneware with celadon glaze
12th-13th centuryChineseNorthern black ware of Cizhou type: off-white stoneware with dark brown glaze, the markings in overglaze iron oxide
11th-12th centuryChineseCizhou ware: light gray stoneware with clear glaze over decoration painted in iron-brown slip on a white slip ground. Probably from the Guantai kilns, near Handan, Hebei province.
12th centuryChineseJun ware: light gray stoneware with robin's-egg blue glaze enlivened with purple suffusions from copper filings
12th-13th centuryChineseNorthern black ware of Cizhou type: light gray stoneware with dark brown glaze, the markings in overglaze iron oxide, the lower portion dressed with dark brown slip.
12th centuryChineseYaozhou ware: light gray stoneware with celadon glaze over carved and incised decoration. From the Yaozhou kilns at Tongchuan, Shaanxi province.
12th centuryChineseNorthern black ware of Cizhou type: light gray stoneware with dark brown glaze, the markings in overglaze iron oxide, the lowest portion dressed with dark purplish brown slip. Probably from the Xiaoyu cun kilns at Huairen, Shanxi province.
12th centuryChinese