12th century
The walls of this shallow, circular bowl extend laterally from the circular footring (to form the vessel floor), then rise vertically to the mouth rim. The piece is fully glazed inside and out, save the bottom of the footring, which is unglazed (indicating that the bowl was fired right side up). The body clay is white and slightly transluscent; the grayish honey-yellow-hued glaze imparts a warm feel to the piece. The bowl was produced over a press mold set at the center of the potter's wheel: the mold determined the bowls shape and size and imparted the molded decoration on the interior; the potter's hands shaped the exterior and set the thickness of the walls. The potter cut the footring with a wood or bamboo scalpel after turning the bowl on the wheel. The bowl's interior boasts three registers of deocration over the cavetto, or side walls, and floor: at the very top is a narrow border of leaves; around the side walls is an undulating floral garland inhabited by baby boys, each of whom appears to support the garland's undulating stem; on the floor is an acquatic scene with various leaves and flowers, several fish, and a large bouquet of lotus blossoms, their stems bound together with a ribbon.
H. 6.6 x Diam. 25.2 cm (2 5/8 x 9 15/16 in.)
Eskenazi Ltd., London (Purchased by Gilbert and Stephanie Zuellig as a gift to the Harvard University Art Museums; the bowl was never a part of the Zuellig Collection.)
Northern black ware of Cizhou: off-white stoneware with dark brown glaze, the exterior with russet skin, the interior with russet markings in overglaze iron oxide
11th-12th centuryChineseJun ware: light gray stoneware with robin's-egg blue glaze
11th-12th centuryChineseQingbai-type ware: molded porcelain with virtually colorless glaze
12th-13th centuryChineseLongquan celadon ware: light gray stoneware with bluish green celadon glaze over applique decoration
12th-13th centuryChineseNorthern black ware of Cizhou type: light gray stoneware glazed in hues of greenish tea-dust with blue undertones, the decoration painted in overglaze iron-brown slip
12th-13th centuryChineseLongquan celadon ware: light gray stoneware with grayish olive celadon glaze over applique decoration
12th-13th centuryChineseNorthern black ware of Cizhou type: off-white stoneware with dark brown glaze, the russet markings in overglaze iron oxide
11th-12th centuryChineseCizhou-type lead-glazed ware: brick-red earthenware with lead-fluxed emerald-green glaze over an all-over coating of white slip that has been incised and carved to create the decoration
12th-13th centuryChineseJun ware: light gray stoneware with robin's-egg blue glaze
12th centuryChineseNorthern black ware of Cizhou type: off-white stoneware with dark brown glaze, the interior with russet markings in iron oxide, the exterior with russet skin. Probably from the Cizhou kilns at Guantai, Cixian, Hebei province.
11th-12th centuryChineseQingbai ware: porcelain with pale blue glaze over carved and incised decoration
11th-12th centuryChineseJun ware: light gray stoneware with robin's-egg blue glaze
12th-13th centuryChinese