1984
A splash of ink holds the center of the painting, and details are filled in around it to create an abstracted yet representational landscape. The most detailed portion of the painting is the small group of buildings that appear as if by magic atop the splash. The surroundings—highly abstracted trees below and loosely defined peaks and a waterfall in the distance—heighten the suggestion of a small paradise, impossibly remote and elusive. The artist inscribed the painting, “Asking my brother Chu-tsing, the expert, for his comment. Painted in Forest Hills, New York, North America, in the 74th year of the Republic, during the early spring of the jiazi year [1984]. A traveling native of Taojiang, Hu Nianzu.” In 1948 Hu left mainland China—Taojiang in Hunan province was his family home—for Taiwan. There he studied with Huang Junbi (1898–1991) at National Taiwan Normal University. He spent many years in New York State before returning to Taiwan, where he resides today. This painting reflects the strong influence of Huang Junbi.
painting proper: 78.2 x 39.4 cm (30 13/16 x 15 1/2 in.) full mounting: 181 x 60 cm (71 1/4 x 23 5/8 in.)
Hu Nianzu, New York, 1984, gift; to Chu-tsing Li, Lawrence, Kansas (1984-2012), gift; to his son B U.K. Li, Milwaukee, Wisconsin (2012-2017), gift; to Harvard Art Museums, 2017. Footnotes: 1. Dr. Chu-tsing Li (1920-2014)
One of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChineseHandscroll; ink and colors on paper; with signature of the artist reading "Chen Qikuan 1960"; with rectangular, red, relief seal of the artist reading "Chen Qi Kuan"
20th centuryChineseHorizontal wall scroll (framed); ink and color on paper, with artist’s signature and seal
20th centuryChinese
Hanging scroll; ink on paper; with inscription by the artist; with signature of the artist reading "Jiang Zhaoshen wen"; with two seals of the artist
20th centuryChinese
Album leaf now framed and mounted; acrylic colors on paper; with romanized date and signature of the artist written twice, each reading "Luis Chan 1987"
20th centuryChineseOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChinese
Hanging scroll; ink and slight color on paper; with inscription, signature, and seal of the artist
20th centuryChineseAlbum leaf; ink and light color on paper
19th-20th centuryChineseInk on paper; with dated signature of the artist reading "Renzi wuyue Wang Jiqian"
20th centuryChinese
Vertical wall scroll; ink and color on paper, with artist’s signature and seal
20th centuryChineseOne of fifty-four paintings (originally fifty-five); ink and color on paper
20th centuryChineseOne from a set of twenty-four album leaves; ink on paper; with signature in clerical script (lishu) reading "Li Junyi 90"
20th centuryChinese