10th-8th century BCE
The top of the pin is a flat dome with a beveled edge, surrounded by a ring. Below the top is a cylindrical section with scooped-in sides that expands back out into a ring,below which are four side-by-side faces of two alternating types. Two of the faces are long and thin, with short protruding C-shaped ears, small raised dots for eyes, thin protruding L-shaped noses, and narrow rounded chins. Alternating with these faces are two that are much less human: wide, square faces with jowls, high raised noses (the ears of the adjacent heads), and raised eyes widely spaced, but no indication of mouth or chin. Below the faces, the pin is cylindrical again, and then there is a raised ring, narrowing and then expanding again into a raised faceted section with a hole drilled in from the underside on the sides with the broad “faces.” The circular-sectioned pin shaft tapers to a point.
14.8 x 2.3 cm (5 13/16 x 7/8 in.)
Louise M. and George E. Bates, Camden, ME (by 1971-1992), gift; to the Harvard University Art Museums, 1992.
Gold
4th-5th century CERomanBrass
9th centuryAnglo-SaxonCopper alloy
2nd-1st millennium BCENear EasternStone
20th centuryChineseMixed copper alloy, silver inlays
9th-10th centuryAnglo-SaxonGold
EtruscanCopper alloy
8th century BCEItalicIron
19th centuryGermanCopper alloy
5th-6th centuryByzantineGold
EtruscanBronze
8th century BCEGreekSilver gilt? bronze color.
18th-19th centuryRussian