10th-8th century BCE
The top of the pin is a flat dome with a beveled edge, surrounded by a ring. Below the top is a cylindrical section with scooped-in sides that expands back out into a ring,below which are four side-by-side faces of two alternating types. Two of the faces are long and thin, with short protruding C-shaped ears, small raised dots for eyes, thin protruding L-shaped noses, and narrow rounded chins. Alternating with these faces are two that are much less human: wide, square faces with jowls, high raised noses (the ears of the adjacent heads), and raised eyes widely spaced, but no indication of mouth or chin. Below the faces, the pin is cylindrical again, and then there is a raised ring, narrowing and then expanding again into a raised faceted section with a hole drilled in from the underside on the sides with the broad “faces.” The circular-sectioned pin shaft tapers to a point.
14.8 x 2.3 cm (5 13/16 x 7/8 in.)
Louise M. and George E. Bates, Camden, ME (by 1971-1992), gift; to the Harvard University Art Museums, 1992.
Copper alloy
9th-8th century BCEItalicCarnelian set in gold
1st century BCE-2nd century CERomanCopper alloy
6th century BCEEuropeanGold
4th century BCEGreekCopper alloy
3rd-7th centuryRomanBlack steatite
10th-11th centuryGreekMixed copper alloy
9th centuryAnglo-SaxonEnamel on gold
19th centuryFrenchSilver colored
19th centuryIndianCopper alloy
7th-8th centuryAvarGold
EtruscanCarnelian gem in gold setting
4th-1st century BCERoman