10th-8th century BCE
This simple, tube-like “master of animals” finial depicts a stylized man with a feline pressed close on each side. The man, who is janiform (having the same face on front and back), has semicircular, cauliflower ears (possibly animal ears) with two to three horizontal lines on their sides. His eyes are perhaps closed, rendered with two large lids and little space between them. His nose is large and triangular, his cheeks are puffed out, and his chin is very pointed. Instead of a cap, the top of his head is flat, with a hole in the center for insertion of a pin. Nothing else is distinguishable about the man’s body—only a plain cylinder appears under the animals. The animals are symmetrical to each other. They are pressed flat against the man, ears back, large eyes on the side of the head, and noses pressed to his shoulders. The animals’ forelegs are visible pressed closely to their sides. The hindlimbs are more bulbous at the hip, tapering down the leg, and ending in paws that are also flattened against the front. The top view of the animals (on the side of the finial) is in relief, high at the head and hindquarters and raised at the shoulders. The animals have long, straight tails ending in single spirals.
8.1 x 2.3 x 1.8 cm (3 3/16 x 7/8 x 11/16 in.)
Louise M. and George E. Bates, Camden, ME (by 1971-1992), gift; to the Harvard University Art Museums, 1992.
Wood, single-woodblock construction; with traces of polychrome and lacquer-applied gold leaf
20th centuryJapaneseWood
18th-19th centuryIndonesianLeaded bronze
3rd-2nd century BCEEtruscanPlaster
19th centuryItalianDark gray stone, probably limestone
20th centuryChineseBronze
20th centuryAmericanBone
Terracotta
Pentelic marble with modern restorations
2nd century CERomanTerracotta, traces of paint
RomanLeaded bronze
5th century BCE-1st century CEGreekLead-glazed ware: molded, white earthenware with straw-yellow, lead-fluxed glaze and with cold-painted pigments over the glaze; the striped trousers and the top of the hat unglazed with cold-painted pigments on the exposed body clay
7th centuryChinese