No image available
DrawingsAmerican20th century
Coal Wharf
1924
Artists
Harold Moody VanderbiltArtist
Description
Pinholes at all corners.
Dimensions
actual: 35.9 x 25.1 cm (14 1/8 x 9 7/8 in.)
Provenance
Harold Moody Vanderbilt; to Mrs. Harold Moody Vanderbilt, 1942, gift; to the Fogg Art Museum, 1944.
Related Artworks
View More
Drawings
Stockbridge Drawing #7
Jo Ann Rothschild, 1982
Graphite, oil pastel, clear and colored wax crayons, and watercolor on white wove paper with multiple impressions
20th centuryAmericanDrawings
Untitled [Town with Church]
Lyonel Feininger, 5/19/1946
Black crayon and ink on paper
20th centuryAmericanDrawings
Seated Male Nude Turned Three-Quarters Left
Denman Waldo Ross, 1929
Graphite on cream wove paper
20th centuryAmericanDrawings
Untitled [Landscape with Storm]
Lyonel Feininger, 9/14/1939
Colored crayons on paper and mounted
20th centuryAmericanDrawings
Music Library Doorway
Stanley Brampton Parker, 1955
Watercolor and white gouache over graphite on off-white wove paper
20th centuryAmericanDrawings
Molding Profiles, Squared; verso: Designs for Ornamental Ceiling Panels
John Singer Sargent, c. 1895 - c. 1916
Graphite on off-white wove paper
19th-20th centuryAmericanDrawings
Decoration of a Vaulted Ceiling, Palazzo dei Penitenzieri, Rome
Harry Edward Warren, 1909
Watercolor over graphite on off-white illustration board
20th centuryAmericanDrawings
Seated Female Nude Leaning Back on her Hands
Alexander Calder, 20th century
Graphite on off-white wove paper
20th centuryAmericanDrawings
Landscape with Palm Trees
Elena Prentice, c. 1988
Watercolor on cream wove paper
20th centuryAmericanDrawings
Howlett Residence, Belmont, Massachusetts, 1945-1946: East and west elevation framing and details (1/4" and 1 1/2" = 1'-0")
C.M.D., 1945-1946
Graphite on paper
20th centuryAmericanDrawings
Office Unit and Factory Building, Greensboro, North Carolina, 1944-1946: Partial first and second floor plans (1/8" =1'-0")
Walter Gropius, 1944-1946
Graphite on paper
20th centuryAmericanDrawings
Untitled [Beach Scene]
Lyonel Feininger, November 17, 1950
Black ink, charcoal, and watercolor on cream laid paper, edges taped
20th centuryAmerican