1895 - 1916
Album with green-cloth-covered cardboard covers, leather-covered spine and corners; additional protective cloth flaps [inside]; and remains of green silk ties. Marbled-paper-covered endpapers. Stamped in gilt on front cover and spine: STUDIES FOR ISRAEL AND THE LAW. Drawings adhered to paper guards with cloth tape and bound with 111 interleaving sheets of cream wove paper. Drawings numbered in red pencil at lower right. Contents: Studies of figures and details from the lunette depicting "Israel and the Law," on the east wall of the Boston Public Library. Details include drapery studies, studies of arms and legs, and positional studies for the angels at the sides of the painting; also featured are sketches of a female model (Beatrice Stuart) who apparently modeled for the faces of the angels. One sketch of a vaulting with Hebrew letters inscribed. Bound in with these drawings is a figure study for "Atlas and the Hesperides," a rondel at the Museum of Fine Arts, Boston.
64.8 x 52.6 x 5 cm (25 1/2 x 20 11/16 x 1 15/16 in.) page: 63.5 x 50.5 cm (25 x 19 7/8 in.)
To the artist's sisters, Violet (Mrs. Francis) Ormond and Emily Sargent, at his death, 1925; gift of Mrs. Ormond to the Fogg Art Museum, 1937.
Graphite on beige laid paper
19th centurySwiss
Charcoal, pastel and graphite on off-white wove and translucent papers, collaged onto ragboard with glue and pressure-sensitive tapes
21st centuryAmerican
Graphite and torn paper collage on off-white wove paper
20th centuryAmericanTransparent and opaque watercolor, pastel, and graphite on heavy off-white wove paper
20th centuryAmericanColored marker on paper
20th centuryGerman
Charcoal on paper
20th centuryAmericanWatercolor and black ink over traces of graphite on off-white antique laid paper, adhered to cream antique laid paper
18th centuryFrenchBrown ink, brown wash, white gouache, and black chalk, prepared with brown wash on cream antique laid paper, framing lines in brown ink, laid down on Japan paper
17th centuryFrenchBlack and white chalk on blue antique laid paper; verso: graphite and touches of white chalk
18th centuryFrenchBlack pencil on off-white wove paper
19th centuryAmericanBrown ink and wash over graphite on ivory wove paper
19th centuryAmerican![Untitled [Man Standing]](/images/art-placeholder.jpg)
Black crayon on paper
20th centuryGerman?